Jamat Khan's ' "Mharo Man Koni Lage" was released on its scheduled release date, February 18, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Subhash Gandhi, Jamat Khan, Taj Mohammad's "Jaisane Ri Kurja" album is number 3 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Mharo Man Koni Lage is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mharo Man Koni Lage by Jamat Khan to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Driver Thare Bina Akeli Koni Rahu Sa | Jamat Khan | C Minor | 7 | 5A | 123 BPM | ||
| Pardesi Betho Pardes Me | Jamat Khan | B Minor | 6 | 10A | 112 BPM | ||
| Pardesi Balam Ji Mharo Dil Le Gaya | Jamat Khan | A♭ Major | 8 | 4B | 174 BPM | ||
| Banka Wala Gin Gin Thakiya | Raju Rawal | G Minor | 9 | 6A | 160 BPM | ||
| Premanand ji | Jk Rajasthani | D Major | 6 | 10B | 174 BPM | ||
| Mangmun Kaheman Ason | Prem Terang, Mirmily Rongpipi | G Major | 5 | 9B | 143 BPM | ||
| Laad Ladave Maa Anjana Mata | Madan Rao Dhanota | A♭ Minor | 9 | 1A | 144 BPM | ||
| Chhoro Kali Gadi Walo | Shilpa Bidawat, Salim Shekhawas | B Major | 8 | 1B | 96 BPM | ||
| TUM LADKA HO AMARKOT RA | Jograj Singh Phalsund | D♭ Major | 9 | 3B | 80 BPM | ||
| Begi Aaja Byan Ji | Ladu Gurjar | F♯ Minor | 10 | 11A | 105 BPM | ||
| Bonding | Jaymin Dabhoda | G Minor | 10 | 6A | 144 BPM | ||
| Ek Do Photo Khaach Le Re Moto | Sharwan Racheti | F Minor | 9 | 4A | 95 BPM | ||
| Ar Ki Fire Pabonare | Adnan Kabir | E Minor | 7 | 9A | 154 BPM | ||
| Kulfi Deto Jayi | Jamat Khan | D♭ Major | 7 | 3B | 169 BPM | ||
| Jaat Bindani Laavelo | Gajendra Ajmera, Tikam Choudhary | B Major | 10 | 1B | 130 BPM | ||
| Saudhu Naithauma | Uainsoknaiha Bru | C Major | 5 | 8B | 67 BPM | ||
| Chiku Ko Papa | Neelam Shekhawati | F Major | 10 | 7B | 78 BPM | ||
| Bana Jadu H Thari Mohabbat Me | Bablu Ankiya, Happy Singh | C Major | 10 | 8B | 130 BPM | ||
| Pagal Pagal | Kailash Munda, Shivani | A♭ Minor | 8 | 1A | 120 BPM | ||
| Tinsyal Yen Parle G | Shivakant S Pujari | B Minor | 9 | 10A | 100 BPM | ||
| Dhadake Dilldo Maro | Salim Sekhawas, Shilpa Bidawat | A♭ Major | 9 | 4B | 170 BPM | ||
| Go Sevak Group 6161 | Rahul Gurjar | A Major | 10 | 11B | 130 BPM | ||
| Bujji Chori Mari Sali | Korra Kittu Naik | F Major | 9 | 7B | 150 BPM | ||
| Pehli Nazar Mein | Anjali Reang | C Major | 5 | 8B | 135 BPM | ||
| Bhai Bhadlo Ne Bahan Pipli | Gajendra Ajmera | F♯ Minor | 9 | 11A | 90 BPM |