Lee Ann Womack's 'Why They Call It Falling' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lee Ann Womack's "I Hope You Dance" album is number 6 out of 12. Based on our statistics, Why They Call It Falling's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Why They Call It Falling by Lee Ann Womack to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fly - The Angel Song | The Wilkinsons | F♯ Major | 5 | 2B | 170 BPM | ||
| I'm Already There | Lonestar | E♭ Major | 4 | 5B | 133 BPM | ||
| Montgomery To Memphis | Lee Ann Womack | F♯ Major | 6 | 2B | 98 BPM | ||
| When You Think Of Me - Greatest Hits Version | Mark Wills | F Major | 6 | 7B | 144 BPM | ||
| Crybaby | Carolyn Dawn Johnson | A Major | 6 | 11B | 94 BPM | ||
| Somewhere In The Vicinity Of The Heart | Shenandoah | E Major | 4 | 12B | 95 BPM | ||
| Let Goodbye Hurt | Suzy Bogguss | A♭ Major | 4 | 4B | 127 BPM | ||
| Your Love Amazes Me | John Berry | B♭ Major | 4 | 6B | 75 BPM | ||
| If I Were You | Collin Raye | C Major | 5 | 8B | 117 BPM | ||
| The Dance | Mindy McCready | D Major | 3 | 10B | 133 BPM | ||
| I Always Liked That Best | Cyndi Thomson | F Minor | 5 | 4A | 142 BPM | ||
| I Do (Cherish You) | Mark Wills | F♯ Major | 5 | 2B | 83 BPM | ||
| God Don't Make Mistakes | Jamie O'Neal | E♭ Major | 7 | 5B | 148 BPM | ||
| A Man Holdin' On (To a Woman Lettin' Go) | Ty Herndon | A Major | 4 | 11B | 128 BPM | ||
| Devil On The Left | Jamie O'Neal | A Major | 7 | 11B | 149 BPM | ||
| I Hope You Dance | Lee Ann Womack | G Minor | 4 | 6A | 151 BPM | ||
| Almost over You | Lila McCann | G Major | 3 | 9B | 142 BPM | ||
| Wild Ponies | Kellie Pickler | C Major | 5 | 8B | 113 BPM | ||
| You've Got To Talk To Me | Lee Ann Womack | B Major | 8 | 1B | 111 BPM | ||
| Me Without You | Jennifer Nettles | C Major | 4 | 8B | 78 BPM | ||
| Break Down Here | Julie Roberts | D♭ Major | 5 | 3B | 126 BPM | ||
| Twenty Years And Two Husbands Ago | Lee Ann Womack | A Major | 4 | 11B | 73 BPM | ||
| Lonely Too | Lee Ann Womack | D Major | 3 | 10B | 112 BPM | ||
| Shake The Sugar Tree | Pam Tillis | E Major | 6 | 12B | 87 BPM | ||
| I Was Blown Away | Pam Tillis | D♭ Major | 7 | 3B | 138 BPM |