William Hurlstone, Hannah Roper, Martin Jacoby's ' "Four English Sketches: No. 2, Caprice" was released on its scheduled release date, October 11, 2024. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Romance and Reverie: Holst and His Contemporaries". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Four English Sketches: No. 2, Caprice is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Four English Sketches: No. 2, Caprice by William Hurlstone, Hannah Roper, Martin Jacoby having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Minor | 0 | 6A | 73 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Symphony No. 2 in E Minor: IV. Finale. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | E Minor | 1 | 9A | 110 BPM | ||
| Bassoon Sonata in F Major: III. Allegretto | William Hurlstone, Laurence Perkins, Michael Hancock | B♭ Major | 0 | 6B | 70 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Terzetto in C Major, op. 74: I. Introduzione: Allegro ma non troppo - Live | Antonín Dvořák, Paul Neubauer, Arnaud Sussmann, Erin Keefe | C Minor | 2 | 5A | 132 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Les biches Suite, FP 36b: II. Adagietto | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 112 BPM | ||
| Symphony No. 1, GMW 11: IIIc. Sehr einfach und schlicht wie eine Volksweise | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Nielsen : Little Suite Op.1 - II Intermezzo : Allegro moderato | Carl Nielsen, The Helsinki Strings, Csaba & Gèza Szilvay | B Minor | 0 | 10A | 70 BPM | ||
| Sinfonia Concertante, Op. 125: I. Andante | Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas | G Minor | 0 | 6A | 73 BPM | ||
| Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 103 BPM | ||
| Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | ||
| From the Bohemian Forest, Op. 68: No. 5, Waldesruhe (Version for Cello and Orchestra) | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | G Minor | 0 | 6A | 73 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | ||
| Entr'acte to Act III | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 110 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | G Minor | 0 | 6A | 73 BPM | ||
| Divertimento in D Major, K. 205: III. Adagio | Wolfgang Amadeus Mozart, English Chamber Orchestra, José-Luis Garcia | G Minor | 0 | 6A | 73 BPM | ||
| Roman tanc (Romanian Dance), BB 61 | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | D♭ Major | 1 | 3B | 81 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM |