Natikaji, Premdhoj Pradhan, Ramesh Dhital's 'Deuralima Batas' had a release date set for March 29, 2009. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 3 in Aankhabhari Sapana by Natikaji, Udit Narayan, Premdhoj Pradhan, Ramesh Dhital. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Deuralima Batas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deuralima Batas by Natikaji, Premdhoj Pradhan, Ramesh Dhital is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Manparaune Hajar | Ram Krishna Dhakal | C Minor | 5 | 5A | 139 BPM | ||
| Junko Jyoti (From "Nai Nabhannu La") - Male Vocals | Deepak Limbu, Mahesh Khadka | D♭ Major | 8 | 3B | 178 BPM | ||
| Boli Chhaina | Amrit Gurung-nepathya | A Major | 4 | 11B | 134 BPM | ||
| Yati Dherai Maya Diyau | Asha Bhosle, Prakash Shrestha | D♭ Major | 6 | 3B | 156 BPM | ||
| Siri Ma Siri Ni Kanchha | Gyanu Rana, Narayan Gopal | A♭ Major | 5 | 4B | 170 BPM | ||
| He Manakamana | Natikaji, Sharada Bikram Basnet | F Major | 6 | 7B | 140 BPM | ||
| Ghintang Ma Ghintang | Phatteman | C Major | 7 | 8B | 140 BPM | ||
| Mero Sath | Nabin K Bhattarai | G Major | 6 | 9B | 100 BPM | ||
| Him Nadi Jhai Yo Maya (From "Aafno Manchhe") | Udit Narayan, Shambhujeet Baskota | B♭ Major | 9 | 6B | 90 BPM | ||
| Lai Bari Lai | Kumar Basnet | E♭ Major | 4 | 5B | 96 BPM | ||
| Orali Lageko | Ram Krishna Dhakal | F Minor | 7 | 4A | 144 BPM | ||
| Maya Ko Bato | Sugam Pokharel | D Major | 8 | 10B | 146 BPM | ||
| Naya Naya Sajau Hai Sansar | Udit Narayan, Asha Bhosle | C Major | 5 | 8B | 166 BPM | ||
| Kina Kina Timro Tasbir | Deepak Jangam, Gulam Ali | D♭ Minor | 5 | 12A | 171 BPM | ||
| Mayalu-Timi Dekhi Ma | Raju Lama | G Major | 6 | 9B | 85 BPM | ||
| Phool Ko Thunga | Natikaji, Taradevi | F Minor | 5 | 4A | 124 BPM | ||
| Yati Chokho Yati | Gopal Yonjan, Narayan Gopal | D♭ Major | 3 | 3B | 101 BPM | ||
| Maile Punya Maan Paraye | Narayan Gopal | F Major | 5 | 7B | 74 BPM | ||
| TIMRO SINDUR POTE | Phiroj Shyangden | F♯ Major | 7 | 2B | 126 BPM | ||
| Pirati Misaudai ( Hami Teen Bhai ) | Udit Narayan Jha, Deepa Jha | G Major | 9 | 9B | 155 BPM | ||
| Isarale Bolaunu | Bhupinder Singh, Deepa jha | A♭ Major | 8 | 4B | 102 BPM | ||
| Maya Meri Sanjha | Bhakta Raj Acharya | F Major | 5 | 7B | 73 BPM | ||
| Ma Royepani | Arun Thapa | D Major | 5 | 10B | 91 BPM | ||
| Jhari Pareko Din | Babin Pradhan | C Major | 6 | 8B | 80 BPM |