Kiran Pradhan, Bimala Rai's ' "Birano Yo Thau" was released on its scheduled release date, July 14, 1998. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 8 out of 8 in Chitra Mala-10-Birano Mann (Original Motion Picture Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Birano Yo Thau is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Birano Yo Thau by Kiran Pradhan, Bimala Rai is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orali Lageko | Ram Krishna Dhakal | F Minor | 7 | 4A | 144 BPM | ||
| Balamha | Cobweb | G Major | 5 | 9B | 135 BPM | ||
| Kalkatte Kainyo | Jayananda Lama, Balram Karki, Sarita Lama, Baba Basnet | F Major | 6 | 7B | 99 BPM | ||
| Ma Ta Dur Dekhi | Deep Shrestha | C Major | 4 | 8B | 182 BPM | ||
| Aakashaima Cheel Udyo | Sunil Parajuli | D Major | 4 | 10B | 146 BPM | ||
| Bansuriko Dhun | Prakash Shrestha, Sangita Pradhan | G Major | 7 | 9B | 133 BPM | ||
| Maile Geet Chhodi Aaye | Prakash Shrestha, Asha Bhosle | C Major | 5 | 8B | 152 BPM | ||
| TIMRO SINDUR POTE | Phiroj Shyangden | F♯ Major | 7 | 2B | 126 BPM | ||
| Yo Hajurko Muhar | Devika Pradhan, Shambhujeet Baskota | D♭ Major | 9 | 3B | 104 BPM | ||
| Timrai Mayako Kami | Neelam Angbuhang, Yash Kumar, Sunita Thegim | A Major | 8 | 11B | 145 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Crossing | 1974 A.D | E Minor | 6 | 9A | 118 BPM | ||
| Blueselo | Cadenza Collective | G Minor | 3 | 6A | 124 BPM | ||
| Fariya Lai Bhuima Latari | Gopal Yonjan | D♭ Major | 9 | 3B | 98 BPM | ||
| Yesto Pani | Natikaji, Phatteman Rajbhandari | A♭ Major | 2 | 4B | 69 BPM | ||
| Chalechha Batas Sustari | Shambhu Rai | D Major | 5 | 10B | 136 BPM | ||
| Ekanta | Karma Band | D Major | 4 | 10B | 127 BPM | ||
| Timilai Achel Kaha | Ram Thapa, Premdhoj Pradhan | A♭ Major | 6 | 4B | 136 BPM | ||
| Sorathi | Krishna Gurung, Jangal Singh, Kharka Bahadur Budha, Akal Birahi | A Major | 3 | 11B | 139 BPM | ||
| Pohar Saal Khushi Fatda | Ambar Gurung, Aruna Lama | C Major | 5 | 8B | 162 BPM | ||
| Surilo Rukha Sallai Ho | Madan Dipbim, Mamata Dipbim | D Major | 5 | 10B | 93 BPM | ||
| Kahile Kahi Mann Ka Kura | Udit Narayan | G Minor | 6 | 6A | 130 BPM | ||
| Kati Auli Agli Bhaye | Kavita Krishnamurthy | B♭ Minor | 8 | 3A | 96 BPM | ||
| Ukali Orali Gardai | Sonu Nigam | G Minor | 6 | 6A | 103 BPM |