"Take My Hand Precious Lord" by Mahalia Jackson had its release date on 1956. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sings the Best-Loved Hymns of Dr. Martin Luther King, Jr.". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Take My Hand Precious Lord is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Take My Hand Precious Lord by Mahalia Jackson having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Near The Cross | Dorothy Norwood | F Major | 7 | 7B | 76 BPM | ||
| Come On Up to Bright Glory | Mahalia Jackson | E♭ Major | 7 | 5B | 97 BPM | ||
| There's a New World Coming | Bernice Johnson Reagon | A♭ Major | 1 | 4B | 167 BPM | ||
| Let Your Light Shine on Me | Blind Willie Johnson | G Major | 2 | 9B | 166 BPM | ||
| Strange Man | Dorothy Love Coates | B♭ Major | 5 | 6B | 90 BPM | ||
| Part IV (with Mahalia Jackson) - (aka Come Sunday) [Alternate Take] | Duke Ellington, Mahalia Jackson | E♭ Minor | 0 | 2A | 70 BPM | ||
| Would You Harbor Me | Sweet Honey In The Rock | B♭ Major | 0 | 6B | 169 BPM | ||
| Glorious Mahalia: IV. Sometime I feel like a motherless child | Stacy Garrop, Kronos Quartet, Mahalia Jackson | A Minor | 2 | 8A | 90 BPM | ||
| His Eye Is On The Sparrow | Whitney Houston | F♯ Major | 3 | 2B | 115 BPM | ||
| Get Your House In Order | Dottie Peoples & The Peoples Choice Chorale | F♯ Major | 5 | 2B | 91 BPM | ||
| Lord Do It | James Cleveland | A♭ Major | 3 | 4B | 107 BPM | ||
| Moses Don't Get Lost | Bessie Jones, Alan Lomax | D♭ Major | 9 | 3B | 128 BPM | ||
| Everytime I Feel the Spirit I Pray | Mahalia Jackson | G Major | 3 | 9B | 172 BPM | ||
| Just A Closer Walk With Thee | Patsy Cline | E♭ Major | 1 | 5B | 102 BPM | ||
| Ezekiel Saw The Wheel | The Dixie Hummingbirds | A♭ Major | 4 | 4B | 126 BPM | ||
| I'll Trust His Word | The Highway Q.C.'s | B Major | 4 | 1B | 113 BPM | ||
| Were You There When They Crucified My Lord? - Performed Live On The Ed Sullivan Show 4/15/62 | Mahalia Jackson | B♭ Major | 5 | 6B | 89 BPM | ||
| I Want to Know What Love Is | New Jersey Mass Choir | E♭ Minor | 5 | 2A | 80 BPM | ||
| I Belong To You | The Rance Allen Group | A Minor | 4 | 8A | 117 BPM | ||
| O Death | Bessie Jones, Alan Lomax | A Major | 1 | 11B | 81 BPM | ||
| Sending Up The Timber | Otis Clay | E Major | 4 | 12B | 176 BPM | ||
| Because He Lives | Rev. Cleophus Robinson | C Major | 5 | 8B | 85 BPM | ||
| Saved | LaVern Baker | B♭ Major | 6 | 6B | 146 BPM | ||
| Nearer My God To Thee | Mighty Clouds Of Joy | D Major | 2 | 10B | 98 BPM | ||
| Release Me | Esther Phillips | D♭ Major | 2 | 3B | 115 BPM |