"Lost Weekend, Pt. 7" by Fred Frith Trio had its release date on October 15, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Road". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Lost Weekend, Pt. 7's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lost Weekend, Pt. 7 by Fred Frith Trio having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prepare To Let Go | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Soft Fall | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Phantoms of Progress | Fred Frith Trio | A Major | 7 | 11B | 78 BPM | ||
| Field ~ Glimmer | Bernhard Meyer | A Major | 2 | 11B | 105 BPM | ||
| King of Thieves | Shake Stew | G Major | 4 | 9B | 169 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Jan Hooks | Billy Martin, Matt Glassmeyer, Jonathan Goldberger | G Major | 4 | 9B | 169 BPM | ||
| Two Jimmys | Jack DeJohnette, Ravi Coltrane, Matt Garrison | F Major | 4 | 7B | 93 BPM | ||
| Hibernate | Ill Considered | A Minor | 2 | 8A | 84 BPM | ||
| Is Beauty Enough? | Ella van der Woude | G Major | 4 | 9B | 169 BPM | ||
| Three Fifths a Man | Makaya McCraven | B♭ Minor | 6 | 3A | 95 BPM | ||
| Movement Five: Experience | JJ Whitefield, Forced Meditation | G Major | 4 | 9B | 169 BPM | ||
| Improv #1 | Aidan Finn | E Major | 2 | 12B | 64 BPM | ||
| Nineteen Centuries | Skúli Sverrisson, Eyvind Kang, Anthony Burr, Ted Reichman | C Minor | 6 | 5A | 72 BPM | ||
| Sjelefred | Kronstad 23 | C Major | 0 | 8B | 111 BPM | ||
| Black Money | ARCANA, Bill Laswell, Tony Williams | D Major | 4 | 10B | 135 BPM | ||
| Total Recovery | Chicago Underground Quartet | A Minor | 5 | 8A | 178 BPM | ||
| Tista lengter | Joe Harvey-Whyte, Geir Sundstøl, Jo Berger Myhre | G Major | 4 | 9B | 169 BPM | ||
| interlude ii | Cassie Kinoshi, seed., NikNak, London Contemporary Orchestra | C Major | 6 | 8B | 86 BPM | ||
| Yvonne & Shimmle | David Jacques | C Minor | 2 | 5A | 127 BPM | ||
| Dani Interluding - Live in Berlin | Ralph Heidel, Moritz Stahl, Dani Scheffels | A♭ Minor | 1 | 1A | 71 BPM | ||
| 6.2 | Supersilent | C Minor | 2 | 5A | 110 BPM | ||
| What Purpose | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Air Water Fire | Tryp Tych Tryo | A Major | 4 | 11B | 92 BPM | ||
| Jeu de Plomb | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | E♭ Major | 2 | 5B | 127 BPM |