Riley, Durrant's 'Code' had a release date set for 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Riley, Durrant's "Home" album is number 2 out of 2. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Code's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Code by Riley, Durrant to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Remember The Railroad | Gene Clark | D Major | 3 | 10B | 143 BPM | ||
| Ole Used To Be | Jason James | A Major | 4 | 11B | 96 BPM | ||
| Roadmaster | Gene Clark | D Major | 6 | 10B | 101 BPM | ||
| Winners | Thatso, Riley | E♭ Major | 5 | 5B | 130 BPM | ||
| Out of Hand | Gary Stewart | G Major | 4 | 9B | 112 BPM | ||
| Folsom Prison Blues / That's All Right | The International Submarine Band | E Major | 8 | 12B | 176 BPM | ||
| I Miss A Lot Of Trains | Tom T. Hall | E Major | 3 | 12B | 104 BPM | ||
| One Sided Conversations | Gene Watson | C Major | 3 | 8B | 99 BPM | ||
| Your Bright Baby Blues | THE EAGLES | G Major | 6 | 9B | 137 BPM | ||
| Hell Yes I Cheated | James Pastell | G Major | 4 | 9B | 101 BPM | ||
| Second Handed Flowers | Tom T. Hall | E♭ Major | 4 | 5B | 140 BPM | ||
| A Real Country Song | Dale Watson | C Major | 3 | 8B | 105 BPM | ||
| Goin' to canada | Mike Wilhelm | D Major | 8 | 10B | 94 BPM | ||
| Low Down Ways | The Marshall Tucker Band | G Major | 8 | 9B | 81 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Highway Call | Dickey Betts | E Major | 1 | 12B | 135 BPM | ||
| Wallflower | Doug Sahm | G Major | 3 | 9B | 147 BPM | ||
| Bottom Of The Bottle | Ira Louvin | A Major | 4 | 11B | 92 BPM | ||
| Jack Daniels Old #7 | Heads, Hands and Feet | B♭ Minor | 8 | 3A | 116 BPM | ||
| People In The Back | Powerbounce, Riley | G Major | 9 | 9B | 170 BPM | ||
| I Get Off | Doug Sahm | A Major | 7 | 11B | 115 BPM | ||
| How I Love Them Old Songs | Mickey Newbury | E♭ Major | 3 | 5B | 131 BPM | ||
| Beam You Up (feat. Riley & Young Jae) | Big E, Riley, Young Jae | C Major | 5 | 8B | 80 BPM | ||
| Boy From Oklahoma | Willis Alan Ramsey | D Major | 3 | 10B | 128 BPM | ||
| London Homesick Blues (Home With the Armadillo) | Gary P. Nunn | G Major | 5 | 9B | 119 BPM |