Armaan Malik's 'Kyon' had a release date set for January 1, 2014. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 8 in Armaan by Armaan Malik. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Kyon is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kyon by Armaan Malik is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chidiya | Vilen | F♯ Major | 5 | 2B | 180 BPM | ||
| Tum Mili 2.0 | Siddharth Nigam | F Major | 3 | 7B | 86 BPM | ||
| Bholi Bhali | Falak Shabir | G Major | 3 | 9B | 142 BPM | ||
| Manngamtu | Aishwarya Majmudar, Armaan Malik | F Minor | 6 | 4A | 80 BPM | ||
| Mainu Rang Lageya | Piyush Mehroliyaa | F Major | 7 | 7B | 156 BPM | ||
| Hargiz | MnA, Manthan Gupta, Aman Meena | C Minor | 7 | 5A | 84 BPM | ||
| Yeh Beetey Din | Ram Sampath | E Major | 7 | 12B | 100 BPM | ||
| Intehaan - From "Bebaakee" | Gaurav Dagaonkar, Gaurav Guleria | G Minor | 3 | 6A | 90 BPM | ||
| Yeh Vaada Raha | Sanam, Mira Mohamed Majid | F Minor | 5 | 4A | 76 BPM | ||
| Aao Morey Piya | Abhijeet Sawant | C Major | 4 | 8B | 118 BPM | ||
| Mawaali Dil | Shashwat Singh | F♯ Major | 6 | 2B | 90 BPM | ||
| Roohaniyat 2.0 - Female Vocals | Simran Choudhary, Rishabh Srivastava | B♭ Major | 5 | 6B | 186 BPM | ||
| Yaad Karke | Gajendra Verma | A♭ Minor | 5 | 1A | 93 BPM | ||
| Door Chalein Kahin | Armaan Malik, Amaal Mallik, Kunaal Vermaa | A♭ Major | 6 | 4B | 119 BPM | ||
| Tu Banja Gali Benaras Ki | Shafqat Amanat Ali | G Major | 6 | 9B | 81 BPM | ||
| Tu Junooniyat (Climax Song) | Shrey Singhal, Akriti Kakar | A♭ Minor | 7 | 1A | 131 BPM | ||
| Shama Hai Jali | Sanam | G Major | 5 | 9B | 115 BPM | ||
| Mujh Main Hai Tu | Falak Shabir | E Minor | 6 | 9A | 140 BPM | ||
| Sau Fikr | Bishwajit Ghosh, Rohit Singh | D♭ Minor | 7 | 12A | 100 BPM | ||
| Pehla Pyar | Gajendra Verma | G Major | 3 | 9B | 105 BPM | ||
| Yaari | Madhur Sharma | E♭ Minor | 4 | 2A | 134 BPM | ||
| Tujhse Shuru | Karan Nawani | D♭ Major | 4 | 3B | 150 BPM | ||
| Na Manzoor | Girish Nakod | F Major | 4 | 7B | 95 BPM | ||
| Ratjage | Gajendra Verma | D Minor | 5 | 7A | 102 BPM | ||
| Dil Laage na | Madhur Sharma | F♯ Major | 6 | 2B | 85 BPM |