"ひきしお" by シネマサウンズ・オーケストラ had its release date on March 2, 2011. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 映画音楽夢コレクション LOVE ~愛情物語~, so we believe that "ひきしお" is a single. ひきしお is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ひきしお by シネマサウンズ・オーケストラ is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Didn't We | Peter Nero | C Major | 2 | 8B | 82 BPM | ||
| 遥かなる山の呼び声 ~「シェーン」 | ビクター・ヤング楽団 | D Major | 3 | 10B | 48 BPM | ||
| U.G.M. | Toru Fuyuki | D Major | 4 | 10B | 135 BPM | ||
| Backroom Insomnia | ZAK CLOUD | A Minor | 4 | 8A | 166 BPM | ||
| 太陽がいっぱい(映画「太陽がいっぱい」より) | Nino Rota | C Minor | 3 | 5A | 134 BPM | ||
| That's the Way I Always Heard It Should Be | John Fox | C Minor | 2 | 5A | 132 BPM | ||
| 碧空 | アルフレッド・ハウゼ | C Major | 2 | 8B | 127 BPM | ||
| パリの空の下 | ピエール・ポルト | E Minor | 4 | 9A | 110 BPM | ||
| 想い出のサンフランシスコ | Sam Taylor | G Minor | 3 | 6A | 79 BPM | ||
| 旅姿三人男 | 木村好夫と演歌倶楽部 | D Major | 5 | 10B | 114 BPM | ||
| ブーべの恋人 「ブーベの恋人」より | スクリーン・スタジオ・オーケストラ | A Major | 2 | 11B | 189 BPM | ||
| さすらいの唄(朝日放送「必殺必中・仕事屋家業」より) | Claude Ciari | B Minor | 4 | 10A | 95 BPM | ||
| アラビアのロレンス 「アラビアのロレンス」より | Royal Pops Orchestra | D Major | 3 | 10B | 88 BPM | ||
| 北の旅人 | 河村利夫 | E♭ Minor | 2 | 2A | 178 BPM | ||
| ローマの休日 [ローマの休日より] | スクリーン・サウンド・アート・オーケストラ | A♭ Major | 3 | 4B | 132 BPM | ||
| ノクターン第2番 | ACOON HIBINO | D Minor | 3 | 7A | 138 BPM | ||
| 孤独 - 「愛のバラード」より | Yuji Ohno | E Minor | 3 | 9A | 95 BPM | ||
| 過ぎ去りし日々を想いて | Katsuhisa Hattori | G Major | 3 | 9B | 92 BPM | ||
| A Través de los Años (As Time Goes By) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | D Minor | 3 | 7A | 79 BPM | ||
| 永遠の愛 ―プロローグ― | ヘルシー・ウィングス・オーケストラ | B♭ Major | 3 | 6B | 97 BPM | ||
| The Poet And I | Frank Mills | F Major | 3 | 7B | 135 BPM | ||
| 浪路はるかに | ビリー・ヴォーン楽団 | F Major | 3 | 7B | 93 BPM | ||
| Whispers of a Princess | Blush Notes | D Major | 2 | 10B | 81 BPM | ||
| ラヴレター | Victor Young & His Orchestra | F♯ Major | 4 | 2B | 116 BPM | ||
| ブラジル | パーシー フェイス | F Major | 3 | 7B | 115 BPM |