Udit Narayan's ' "Ayyorama" was released on its scheduled release date, March 19, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mani Sharma's "Ganesh" album is number 4 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Ayyorama is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ayyorama by Udit Narayan to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kiya Kiya | Anand Raj Anand, Shweta Pandit | B Major | 9 | 1B | 120 BPM | ||
| Kola Laka Vellari | Himesh Reshammiya | F♯ Major | 8 | 2B | 111 BPM | ||
| Afsana | Himesh Reshammiya, Tulsi Kumar | B Minor | 8 | 10A | 105 BPM | ||
| Shukriya Shukriya | Agam Kumar Nigam | A Minor | 8 | 8A | 82 BPM | ||
| Tu Hi Re - From "Bombay" | Hariharan, Kavita Krishnamurthy | E♭ Major | 2 | 5B | 100 BPM | ||
| Haste Suraj Ki | Udit Narayan | F Major | 9 | 7B | 113 BPM | ||
| Teri Jawani Badi Mast Mast Hai | Iqbal Afjal Sabri, Anupama | B Minor | 9 | 10A | 130 BPM | ||
| Tu Mere Samne | Lata Mangeshkar, Udit Narayan | G Minor | 4 | 6A | 102 BPM | ||
| O Re Piya | Salim–Sulaiman, Rahat Fateh Ali Khan, Jaideep Sahni | B Minor | 5 | 10A | 100 BPM | ||
| Pardesi Pardesi - Sad Version | Suresh Wadkar, Bela | A Minor | 4 | 8A | 74 BPM | ||
| Sunoji Dulhan Ek Bat Sunoji | Roop Kumar Rathod, Pratima Rao, Udit Narayan, Kavita Krishnamurthy, Sonu Nigam | D Major | 6 | 10B | 103 BPM | ||
| Tu Kaun Kahan Se Aayi Hai | Usha Khanna, Udit Narayan | F♯ Minor | 8 | 11A | 83 BPM | ||
| Yeh Dosti Hum Nahin - Happy Version / From "Sholay" | Kishore Kumar, Manna Dey, R. D. Burman | F♯ Minor | 9 | 11A | 114 BPM | ||
| Aaya Tere Dar Par | Madan Mohan, Ahmed Hussain, Mohd. Hussain, Mohammed Vakil, Javed Hussain, Javed Akhtar | B♭ Major | 9 | 6B | 118 BPM | ||
| It Happens Only In India | Anand Raj Anand | B♭ Minor | 8 | 3A | 100 BPM | ||
| Na Kajare Ki Dhar (From "Mohra") | Sadhana Sargam, Pankaj Udhas | C Minor | 7 | 5A | 145 BPM | ||
| Mann Ki Lagan | Rahat Fateh Ali Khan | A Major | 5 | 11B | 148 BPM | ||
| Aane Se Uske Aaye Bahar | Mohammed Rafi, Laxmikant–Pyarelal | F♯ Minor | 4 | 11A | 95 BPM | ||
| Jaa Bewafa Jaa | Altaf Raja | D♭ Minor | 6 | 12A | 76 BPM | ||
| Aisa Deewana | Sonu Nigam, Alka Yagnik | A Minor | 8 | 8A | 94 BPM | ||
| Yeh Dharti Chand Sitare | Anuradha Paudwal, Udit Narayan | D Minor | 6 | 7A | 149 BPM | ||
| Mubarak Mubarak | Udit Narayan | G Major | 10 | 9B | 98 BPM | ||
| Isq Risk | Sohail Sen, Rahat Fateh Ali Khan, Irshad Kamil | B♭ Minor | 6 | 3A | 105 BPM | ||
| Mitwa | Shankar-Ehsaan-Loy, Shankar Mahadevan, Caralisa Monteiro, Shafqat Amanat Ali | E Major | 6 | 12B | 107 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM |