"「ノートルダムの鐘」より" by Alan Menken, 伊奈学園OB吹奏楽団 had its release date on October 1, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 平成30年度 第24回 西関東吹奏楽コンクール 金賞セレクション Vol. 5 大学の部, 職場・一般の部, so we believe that "「ノートルダムの鐘」より" is a single. 「ノートルダムの鐘」より is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「ノートルダムの鐘」より by Alan Menken, 伊奈学園OB吹奏楽団 is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| One Last Shot | Klaus Badelt | F Major | 1 | 7B | 135 BPM | ||
| Out There | Tony Jay, Tom Hulce | E♭ Major | 2 | 5B | 106 BPM | ||
| Verlassen im Wald - Instrumental | Kristen Anderson-Lopez, Robert Lopez | A♭ Major | 3 | 4B | 75 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| Awakes as a Bear - From "Brother Bear"/Score | Phil Collins, Mark Mancina | G Major | 1 | 9B | 64 BPM | ||
| Queen Theme | Frank Churchill | D Minor | 1 | 7A | 167 BPM | ||
| Down to the Sea | Jodi Benson, Samuel E. Wright, Rob Paulsen, Clancy Brown, Kay E Kuter | F Major | 4 | 7B | 96 BPM | ||
| Listen With Your Heart - Pt. 2 | Linda Hunt, Bobbi Page | G Minor | 1 | 6A | 63 BPM | ||
| Bedtime/An Evening Constitutional/A Job to Do/They're Gone! - Original | The Cast of 101 Dalmatians | E♭ Major | 1 | 5B | 89 BPM | ||
| Until Tomorrow | Alan Menken | F Major | 1 | 7B | 78 BPM | ||
| Harry & Hermione | Nicholas Hooper | C Major | 0 | 8B | 90 BPM | ||
| The Trolls - From "Frozen"/Score | Christophe Beck | A♭ Minor | 1 | 1A | 89 BPM | ||
| Arabian Nights | London Pops Orchestra | C Major | 2 | 8B | 106 BPM | ||
| Haunted Mansion Opening Title | Mark Mancina | F Major | 1 | 7B | 80 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Love Waltz | Adam Balazs | G Major | 1 | 9B | 77 BPM | ||
| What a Day in London | Judy Kuhn | G Major | 4 | 9B | 122 BPM | ||
| Will And Elizabeth | Klaus Badelt | D Major | 7 | 10B | 180 BPM | ||
| If I Were the Ocean | Mark Mancina | A Minor | 0 | 8A | 69 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Meryton Townhall - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | D Major | 2 | 10B | 118 BPM | ||
| Te Fiti Restored | Mark Mancina, Opetaia Foa'i | F♯ Minor | 8 | 11A | 132 BPM | ||
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM |