Anuradha Paudwal's ' "Amar Mayar Charn" was released on its scheduled release date, October 10, 1992. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Anuradha Paudwal's "Jayo Biswajanani" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Amar Mayar Charn's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Amar Mayar Charn by Anuradha Paudwal to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| Hum Tumhen Chahte Hain - From "Qurbani" | Kanchan, Manhar, Anand | F Major | 4 | 7B | 96 BPM | ||
| Tumne Dikhaye Aise Sapne | Vinod Rathod | F♯ Minor | 5 | 11A | 74 BPM | ||
| Dulhan Ghar Aayi - From "Chori chori Chupke Chupke" | Jaspinder Narula | E Minor | 7 | 9A | 100 BPM | ||
| Tu Kal Chala Jayega | Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | A♭ Minor | 8 | 1A | 151 BPM | ||
| Jano Mere Jano | S. Janaki | B Minor | 6 | 10A | 82 BPM | ||
| Dil Ka Haal | Altaf Raja | F Major | 6 | 7B | 82 BPM | ||
| Aankhen Hi Na Royee | Altaf Raja | F♯ Major | 5 | 2B | 140 BPM | ||
| Ab Ke Baras | Mahendra Kapoor, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 94 BPM | ||
| Aisa Lagta Hai Ke Woh Bhool Gaya Hai Humko | Altaf Raja | D♭ Minor | 6 | 12A | 137 BPM | ||
| Rooth Kar Hum | Sajid-Wajid, Roop Kumar Rathod, Sabri Brothers | F♯ Minor | 10 | 11A | 82 BPM | ||
| Jisko Hamne Apna Samjha | Agam Kumar Nigam, Tulsi Kumar | A Minor | 9 | 8A | 80 BPM | ||
| L L Ellinda | Guru Kiran, Anuradha Paudwal | D Minor | 8 | 7A | 93 BPM | ||
| Kab Tak Yaad Karoon Main | Agam Kumar Nigam | D♭ Minor | 8 | 12A | 81 BPM | ||
| Ishq Hai Ishq Hai | Jaishree Shivram | E Minor | 8 | 9A | 78 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Deewaron Pe Likha Hai | Anuradha Paudwal, Vipin Sachdeva | A Minor | 6 | 8A | 157 BPM | ||
| Hum Premi Prem Karna Janen | Mohammed Rafi, Kishore Kumar, Shailendra Singh, Laxmikant–Pyarelal | F Minor | 6 | 4A | 81 BPM | ||
| Beshak Mandir Masjid Todo | Narendra Chanchal, Laxmikant–Pyarelal | A Major | 4 | 11B | 83 BPM | ||
| O Yaara (From "Kaash") | Kishore Kumar, Anupama | F Major | 2 | 7B | 110 BPM | ||
| Jab Tumko Humse Pyar Nahin | Agam Kumar Nigam, Tulsi Kumar | B Major | 7 | 1B | 81 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Dono Hi Mohabbat Ke | Altaf Raja | B♭ Minor | 8 | 3A | 168 BPM | ||
| Adayein Bhi Hain Mohabbat Bhi Hai | Anuradha Paudwal, Babla Mehta | G Minor | 8 | 6A | 135 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM |