"Ave Maria: Inno alla vergine" by Franco Corelli had its release date on January 9, 1955. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Ave Maria: Inno alla vergine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 36 in Bella Napoli by Franco Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ave Maria: Inno alla vergine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria: Inno alla vergine by Franco Corelli is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Pinkerton, Butterfly, Goro) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Piero de Palma, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 1 | 7A | 117 BPM | ||
| Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
| Mascagni: Cavalleria rusticana: "Mamma, quel vino è generoso" (Turiddu, Lucia) | Pietro Mascagni, Gabriele Santini, Corinna Vozza, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 2 | 4B | 98 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| I puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Nikola Mijailovic, Nicola Ulivieri, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | D Major | 2 | 10B | 76 BPM | ||
| Caballeria Rusticana: "Voi lo Sapete, o mamma" | Victoria de los Ángeles | E Minor | 2 | 9A | 87 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| Roméo et Juliette (1994 - Remaster), Act II, Scene 2: Que le diable soit de vos deux mainsons | Charles Gounod, Henri Gui/Franco Corelli/Claude Calès/Maurice Auzeville/Robert Cardona/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Alain Lombard, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Minor | 3 | 9A | 169 BPM | ||
| Carmen: Act I: Quels regards! Quelle effronterie! | Georges Bizet, Franco Corelli, Mirella Freni, Herbert von Karajan | B♭ Minor | 1 | 3A | 78 BPM | ||
| La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
| Carmen: Act I: Parle-moi de ma mère! | Georges Bizet, Franco Corelli, Mirella Freni, Herbert von Karajan | G Minor | 2 | 6A | 76 BPM | ||
| Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 90 BPM | ||
| Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 134 BPM | ||
| Senza nisciuno | Ernesto de Curtis, Franco Corelli, Franco Ferraris, Franco Ferraris Orchestra | E♭ Major | 2 | 5B | 83 BPM | ||
| Carmen: Act I: Avec la garde montante | Georges Bizet, Franco Corelli, Bernard Demigny, Herbert von Karajan | D Minor | 2 | 7A | 132 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Michael Spyres, Choeur de l'Opéra national du Rhin, Mario Montalbano, Marko Letonja, Orchestre Philharmonique De Strasbourg | G Major | 0 | 9B | 107 BPM | ||
| Cavalleria rusticana: Part I: Tu qui, Santuzza? (Turiddu, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 82 BPM | ||
| Adriana Levouvreur. Act I: La dolcissima effige | Francesco Cilea, Franco Corelli, Alfredo Simonetto, Orchestra Sinfonica Di Torino Della Rai | A♭ Major | 2 | 4B | 97 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Luisa Fernanda, Acto i: Romanza de Javier | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | E♭ Minor | 3 | 2A | 97 BPM | ||
| Amor Ti Vieta | Umberto Giordano, Mario Lanza | G Major | 4 | 9B | 91 BPM |