Kenichi Shimazu Trio's 'サンデイ・マンデイ・オア・オールウェイズ' had a release date set for November 30, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in オール・カインド・オブ・バラード~ハーマン・フォスターに捧ぐ, so we believe that "サンデイ・マンデイ・オア・オールウェイズ" is a single. Based on our statistics, サンデイ・マンデイ・オア・オールウェイズ's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of サンデイ・マンデイ・オア・オールウェイズ by Kenichi Shimazu Trio is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yesterday | Charles Daisey & Friends | A♭ Major | 2 | 4B | 77 BPM | ||
| Moments Like This | Bob Mete | A Minor | 1 | 8A | 85 BPM | ||
| World Jazz Relax | ジャズピアノ House One | G Major | 2 | 9B | 140 BPM | ||
| 三月の水 | Kenichi Shimazu Trio | E♭ Major | 4 | 5B | 98 BPM | ||
| Round to the Nearest Tenth | Wildea Wilderus | F Major | 3 | 7B | 143 BPM | ||
| 煙が目にしみる | Harold Mabern | F Major | 3 | 7B | 73 BPM | ||
| Moody Place, Pt. XVI | Blue Laure | A Minor | 1 | 8A | 120 BPM | ||
| Ristede Mandler Jazz | Jule jazz | C Major | 1 | 8B | 91 BPM | ||
| Rainy Melody | Jay Niklaus | F Minor | 1 | 4A | 139 BPM | ||
| Endless | Project Modal | B Minor | 5 | 10A | 173 BPM | ||
| Inexperience | Andrea Zanchi | G Major | 0 | 9B | 82 BPM | ||
| Jazz for Work | Work & Jazz | C Minor | 0 | 5A | 81 BPM | ||
| Letters Never Sent | Union Jazz Trio | D♭ Minor | 2 | 12A | 85 BPM | ||
| Fall In Love Too Easily | Saxo York | C Major | 5 | 8B | 170 BPM | ||
| Vintage Blue | Pause maybe? | E Minor | 2 | 9A | 92 BPM | ||
| It Had To Be You | Jay McShann, Michael T. White, Milt Abel, Tommy Ruskin | D Major | 3 | 10B | 82 BPM | ||
| On The Streets | Sirodzha Igor | D Minor | 2 | 7A | 110 BPM | ||
| Duck Noir | ovo ~ Quack Jazz ~ | C Minor | 1 | 5A | 65 BPM | ||
| Without a Clock | Fifth Window | C Major | 2 | 8B | 76 BPM | ||
| Urban Jazz Nights | Work & Jazz | C Minor | 0 | 5A | 81 BPM | ||
| I'm Still Waiting Behind | Tom Media | C Major | 2 | 8B | 130 BPM | ||
| Life Without Words | SSMedia | G Minor | 1 | 6A | 200 BPM | ||
| Concrete Jungle | Ella Blue | D Minor | 0 | 7A | 82 BPM | ||
| シェルブールの雨傘 | Kenichi Shimazu Trio | C Minor | 4 | 5A | 68 BPM | ||
| The Light That Stays | Fifth Window | F Minor | 1 | 4A | 217 BPM |