"Surveillance" by Jack Halama, Scott Shields had its release date on August 28, 2020. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Rogue (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. In terms of popularity, Surveillance is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Surveillance by Jack Halama, Scott Shields having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How we rise | Oliver Coates | A Minor | 1 | 8A | 82 BPM | ||
| Magnets for Life | Steven Price | E Major | 4 | 12B | 117 BPM | ||
| Rigging | Rob Simonsen | F Minor | 2 | 4A | 131 BPM | ||
| Sojourn For Jack | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| I'm Leaving | Steffen Thum | F Major | 1 | 7B | 66 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| Fortress Europe | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Ella Sentia, Quell'angelo | Natalie Holt, Jack Halama | C Minor | 5 | 5A | 125 BPM | ||
| Holding Hands (From "The Crown: Season Six Soundtrack") | Martin Phipps, The Chamber Orchestra Of London | B Major | 0 | 1B | 77 BPM | ||
| The Night Manager Main Titles | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Golden Glass | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | A Minor | 1 | 8A | 120 BPM | ||
| Hidden Beneath the Waves | Steven Price | F♯ Minor | 6 | 11A | 140 BPM | ||
| The Heath | Dan Romer | A♭ Major | 1 | 4B | 75 BPM | ||
| Ride the Badlands | Jeff Danna | F Minor | 5 | 4A | 143 BPM | ||
| East Side | Guy Farley | A♭ Major | 4 | 4B | 137 BPM | ||
| Station Disorientation | Nathan Klein, F. Keane | E Minor | 5 | 9A | 152 BPM | ||
| Guinness Brothers | Ilan Eshkeri | A Minor | 1 | 8A | 81 BPM | ||
| Born to Become | Altitude Music, Angus MacRae | E♭ Major | 3 | 5B | 111 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Pulp | Oliver Coates | C Minor | 4 | 5A | 76 BPM | ||
| Choice | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Helpless Hal | Marcelo Zarvos | C Minor | 2 | 5A | 144 BPM | ||
| Last Chance Waltz | Christian Lundberg | F♯ Minor | 3 | 11A | 180 BPM | ||
| LISETTE GONE | Uno Helmersson | A♭ Major | 1 | 4B | 180 BPM | ||
| Heist | Jack Halama | D Minor | 8 | 7A | 100 BPM |