Nicola Matteis, Ric Louchard, David Barnett's ' "Ground After The Scotch Humour" was released on its scheduled release date, January 1, 1991. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Ground After The Scotch Humour's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winter Light: Baroque Music For The Fireside by Ric Louchard, David Barnett. The song's track number on the album is #5 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Ground After The Scotch Humour is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Ground After The Scotch Humour by Nicola Matteis, Ric Louchard, David Barnett has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Ground After The Scotch Humour being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tom and Mistresse Fine | Tobias Hume, Anja Lechner | F Major | 0 | 7B | 177 BPM | ||
| PARASIxTh: 1. Prelude | Olav Anton Thommessen, Ernst Simon Glaser | E Minor | 1 | 9A | 81 BPM | ||
| Scarlatti, D: Keyboard Sonata in G Minor, Kk. 4 | Domenico Scarlatti, Scott Ross | A♭ Major | 4 | 4B | 145 BPM | ||
| Suite Española: III. Seguidillas | Timothy Brown, Elaine Funaro | A Minor | 4 | 8A | 146 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Pièces à une et deux violes, Premier Livre, Suite in G Minor: Sarabande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Prelude & Laughing Rock: I. Prelude | Ross Edwards, Richard Narroway | G Major | 0 | 9B | 64 BPM | ||
| Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
| Suite 1 - Prelude | Staffan Svedberg | G Major | 1 | 9B | 77 BPM | ||
| The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro | Musica Alchemica, Lina Tur Bonet | F♯ Minor | 2 | 11A | 138 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Ricercar No. 1 in G Minor | Domenico Gabrielli, Mauro Valli | B Major | 1 | 1B | 112 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 87 BPM | ||
| Cello Sonata in G Major: I. Allegro non troppo | Giovanni Battista Sammartini, Andrea Noferini, Bruno Canino | G Major | 1 | 9B | 80 BPM | ||
| Flute Sonata No. 2 in G Major, F. 59: I. Allegro ma non troppo | Wilhelm Friedemann Bach, Eleonora Bišćević, Manuel Granatiero | C Minor | 3 | 5A | 114 BPM | ||
| Bach Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | London Conchord Ensemble, Florian Uhlig | D Minor | 3 | 7A | 100 BPM | ||
| The Babbling | Christopher Hoffman | C Minor | 3 | 5A | 114 BPM | ||
| Concerti á 5 for Little Flaut, Due Violini, Alto et Basso, No. 4 in D Major: IV. Grave | Bartolomeo Bernardi, Giuseppe Torelli, Höör Barock, Emelie Roos | B♭ Minor | 1 | 3A | 176 BPM | ||
| Caprice sur des motifs de l'opéra 'Le comte Ory', Op. 3: II. Variation 1 | Adrien François Servais, Sol Gabetta, Victor Julien-Laferrière | A Major | 1 | 11B | 140 BPM | ||
| Sarasate: Carmen Fantasy, Op. 25 (Transcr. Thomas-Mifune for Cello Ensemble) | Pablo de Sarasate, Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| Suite No. 1: Menuets I & II | Suren Bagratuni | G Major | 1 | 9B | 59 BPM | ||
| Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: V. Sarabande | Josef Suk | D Major | 1 | 10B | 81 BPM | ||
| La Folia - Arranged for Cello and Accordeon | Mario Brunello, Ivano Battiston | C Major | 0 | 8B | 141 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Minor | 0 | 2A | 84 BPM |