Art Farmer, Jim Hall's 'Whisper Not' had a release date set for 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 4 in Big Blues by Art Farmer, Jim Hall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Whisper Not is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Whisper Not by Art Farmer, Jim Hall is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinda Vague | Blue Mitchell | F Minor | 1 | 4A | 89 BPM | ||
| The Way You Look Tonight - Take 2 | Wes Montgomery Trio | F Major | 3 | 7B | 134 BPM | ||
| Stablemates | Cedar Walton | D♭ Major | 4 | 3B | 108 BPM | ||
| I've Got You Under My Skin | Bill Evans, Jim Hall | E♭ Major | 1 | 5B | 109 BPM | ||
| Angie | Kenny Drew | F Major | 1 | 7B | 63 BPM | ||
| Wonder Why | Cedar Walton | F Major | 1 | 7B | 75 BPM | ||
| Lonnie's Lament | John Coltrane Quartet | C Minor | 2 | 5A | 108 BPM | ||
| I've Grown Accustomed to Her Face | Paul Desmond, Jim Hall, Percy Heath, Connie Kay | A♭ Major | 1 | 4B | 98 BPM | ||
| When The Sun Comes Out | Howard Roberts | C Minor | 2 | 5A | 89 BPM | ||
| Stella by Starlight | Jonathan Kreisberg | E♭ Minor | 4 | 2A | 90 BPM | ||
| Golden Touch | Oscar Pettiford | A♭ Major | 2 | 4B | 202 BPM | ||
| The Old Country | Nat Adderley, The Big Sax Section | F Minor | 3 | 4A | 97 BPM | ||
| Star Eyes | McCoy Tyner | F Minor | 3 | 4A | 173 BPM | ||
| Latin Blue | The Don Rendell / Ian Carr Quintet | D♭ Major | 3 | 3B | 156 BPM | ||
| Serpent's Tooth | Victor Feldman | F Minor | 4 | 4A | 118 BPM | ||
| Next Please | Jan Garbarek, Terje Rypdal, Art Farmer, Benny Bailey | A♭ Major | 3 | 4B | 90 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Dat Dere (Live) | Bobby Timmons Trio | A♭ Major | 1 | 4B | 147 BPM | ||
| Two's Blues | Jim Hall | G Minor | 3 | 6A | 103 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| Heartland | Fred Hersch, Julian Lage | C Major | 2 | 8B | 122 BPM | ||
| East To Wes | Emily Remler | G Minor | 2 | 6A | 134 BPM | ||
| Sandu | Jesse Van Ruller | A♭ Minor | 3 | 1A | 128 BPM | ||
| I'll Be Seeing You | Jonathan Kreisberg, Gary Versace, Matt Penman, Mark Ferber | C Minor | 2 | 5A | 135 BPM | ||
| Martha's Prize | Cedar Walton | F Minor | 4 | 4A | 132 BPM |