Tim Ribchester's ' "Old Scars and Fresh Pink Wounds" was released on its scheduled release date, August 25, 2016. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "THE HANDMAIDEN (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from South Korea. In terms of popularity, Old Scars and Fresh Pink Wounds is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Old Scars and Fresh Pink Wounds by Tim Ribchester having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taboo Lament (Antimatter Fellini Waltz) - Bonus Track | Max Richter | C Minor | 1 | 5A | 113 BPM | ||
| Arrival | Mark Korven | C Major | 3 | 8B | 77 BPM | ||
| The Fall - The Princess | Krishna Levy | G Minor | 1 | 6A | 60 BPM | ||
| Water Theme No.3 | Hanan Townshend | D Minor | 1 | 7A | 131 BPM | ||
| Geography | Patrick Doyle | D Minor | 2 | 7A | 127 BPM | ||
| 우울한 파티 | Cho Young-Wuk | D Minor | 4 | 7A | 143 BPM | ||
| Thatched Roofs In Chaponval | Clint Mansell | G Minor | 2 | 6A | 109 BPM | ||
| I Promise You Will Not Come To Harm | Daniel Hart | D Major | 2 | 10B | 88 BPM | ||
| Return | Mark Bradshaw | G Major | 3 | 9B | 102 BPM | ||
| Each Night in Bed I Think of Her Assets | 조영욱과 THE SOUNDTRACKINGS | G Minor | 2 | 6A | 101 BPM | ||
| Vantage | Siddhartha Khosla | E Minor | 1 | 9A | 75 BPM | ||
| Feel Guilty | Jeon Se Jin | C Minor | 1 | 5A | 138 BPM | ||
| Clock Tick | Abel Korzeniowski | D♭ Minor | 1 | 12A | 126 BPM | ||
| High Heels (Main Theme) | Ryuichi Sakamoto | E♭ Major | 1 | 5B | 86 BPM | ||
| Six Samurai (From The Seven Samurai) | Fumio Hayasaka | A♭ Minor | 2 | 1A | 137 BPM | ||
| Crucifix | Jonny Greenwood | C Minor | 1 | 5A | 173 BPM | ||
| Fancy, FP 174 | Francis Poulenc, Julia Cavallaro, Tim Ribchester | D♭ Minor | 1 | 12A | 69 BPM | ||
| Atto III: 62. Coro "Ecco, felice amanti" | Johann Friedrich Agricola], Opernchor des Theaters Altenburg Gera, Philharmonisches Orchester Altenburg-Gera, Gerd Amelung, Tim Ribchester | D Major | 2 | 10B | 124 BPM | ||
| 呼喊 | 侯志堅, 魏廣晧 | A Minor | 0 | 8A | 138 BPM | ||
| The House on a Stage | Evgueni Galperine, Sacha Galperine | A♭ Minor | 0 | 1A | 111 BPM | ||
| Van Gogh Theme (Just Piano) III | Tatiana Lisovskaya, Paul Cantelon | D Minor | 0 | 7A | 70 BPM | ||
| Una Patada en los Huevos | Alberto Iglesias | C Minor | 4 | 5A | 105 BPM | ||
| It Is True | Martin Phipps, BBC National Orchestra Of Wales | G Major | 0 | 9B | 69 BPM | ||
| Ancient And Modern | Jonny Greenwood | B Minor | 1 | 10A | 66 BPM | ||
| Death Of Mother | Shin Minseob | B♭ Major | 2 | 6B | 62 BPM |