FASCINATING AIDA's 'Sous les Ponts de Londres' had a release date set for 1997. Sous les Ponts de Londres is explicit and may not be suitable for children. With the duration being about 4:16, this song is close to the average duration of a typical track. The track order of this song in FASCINATING AIDA's "It, Wit, Don't Give a Shit Girls" album is number 12 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sous les Ponts de Londres is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sous les Ponts de Londres by FASCINATING AIDA to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodbye Old Friends | FASCINATING AIDA | G Major | 2 | 9B | 172 BPM | ||
| Just Around the Corner | Morecambe & Wise | C Major | 4 | 8B | 127 BPM | ||
| Wot Cher! (Knocked 'Em In the Old Kent Road) | Stanley Holloway | B♭ Major | 4 | 6B | 111 BPM | ||
| Next to Me | Alan Cumming | D Major | 4 | 10B | 74 BPM | ||
| Leaning on a Lamp Post | George Formby | C Major | 3 | 8B | 137 BPM | ||
| A Wanker (With White Socks) | Wild Thing | G Major | 6 | 9B | 95 BPM | ||
| Sometimes | FASCINATING AIDA | G Major | 1 | 9B | 90 BPM | ||
| Tory Novelty Toff | Thomas Benjamin Wild Esq, Ben Dawson | G Major | 5 | 9B | 120 BPM | ||
| The Markets | FASCINATING AIDA | C Major | 3 | 8B | 140 BPM | ||
| Bitter Lager Cider Ale Stout - 2012 Remaster | The Lancashire Hotpots | A Major | 7 | 11B | 106 BPM | ||
| Be Back Soon | Lionel Bart, Ron Moody, Martin Horsey, Keith Hampshire, Orchestra | C Major | 3 | 8B | 110 BPM | ||
| A Hive Full of Honey | Tim Flavin | F Major | 4 | 7B | 106 BPM | ||
| Sit Down, You're Rocking The Boat (From "Guys and Dolls") | Bernard Cribbins | C Minor | 4 | 5A | 116 BPM | ||
| If I Were / Magic | The Horne Section | D Major | 5 | 10B | 124 BPM | ||
| Old Rosie | The Wurzels | D♭ Minor | 5 | 12A | 170 BPM | ||
| Chitty Chitty Bang Bang (From "Chitty Chitty Bang Bang") | Richard Sherman, Robert Sherman, David Hobson, Rachael Beck, Guy Noble, Tasmanian Symphony Orchestra | D Major | 9 | 10B | 115 BPM | ||
| It Has to Get Better Than This | Sammy J & Randy | G Major | 6 | 9B | 112 BPM | ||
| Pollution | Adam Kay, Amateur Transplants | C Major | 5 | 8B | 106 BPM | ||
| Stick Your Head Between Your Legs | FASCINATING AIDA | B♭ Major | 2 | 6B | 118 BPM | ||
| Neurotology | Saturday Night Live | G Major | 4 | 9B | 126 BPM | ||
| Ill Wind | Flanders & Swann | B♭ Major | 4 | 6B | 130 BPM | ||
| The Impossible Dream | The Choir of Man | B♭ Major | 4 | 6B | 171 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| Glasgow Accents / Nine And A Half Guitars | Billy Connolly | D Major | 3 | 10B | 79 BPM | ||
| Dunt Tha Want Mi | The Everly Pregnant Brothers | E Major | 9 | 12B | 150 BPM |