Rope's 'Hypochristmutreefuzz' had a release date set for October 9, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rope's "Have You Met Miss Bates ?" album is number 5 out of 13. On top of that, United States appears to be the country where this track was created. Hypochristmutreefuzz is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hypochristmutreefuzz by Rope to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Second Nature | Nils Wülker | A Minor | 3 | 8A | 70 BPM | ||
| New Dawn | Jeff Coffin, Johnny Vidacovich, James Singleton, Tony Dagradi | A♭ Major | 5 | 4B | 99 BPM | ||
| Black Money | ARCANA, Bill Laswell, Tony Williams | D Major | 4 | 10B | 135 BPM | ||
| My Legs Are Killing Me, But It Hurts So Good | Marty Holoubek, Shun Ishiwaka, 渡辺翔太 | D♭ Major | 2 | 3B | 93 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | A Minor | 3 | 8A | 70 BPM | ||
| Sorryrow | Tuva Halse | A Minor | 3 | 8A | 70 BPM | ||
| Monica Jane | Rope | C Major | 3 | 8B | 166 BPM | ||
| Jan Hooks | Billy Martin, Matt Glassmeyer, Jonathan Goldberger | A Minor | 3 | 8A | 70 BPM | ||
| Me Llamaba Txori | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | E♭ Major | 3 | 5B | 109 BPM | ||
| Ma-ri-nette - Ma-rie Antoi-nette Edit | Sylvain Darrifourcq, Manuel Hermia, Valentin Ceccaldi | D Major | 4 | 10B | 148 BPM | ||
| Take the A# Train | Mino Cinelu, Nils Petter Molvær | D Major | 2 | 10B | 107 BPM | ||
| Kasumi | Ingrid Laubrock, Aki Takase | G Major | 0 | 9B | 94 BPM | ||
| Trinity (Father, Son, and Holy Spirit) | Joel Ross | A Minor | 3 | 8A | 70 BPM | ||
| It’s Okay | Nils Wülker | A Minor | 3 | 8A | 70 BPM | ||
| Swedish Delight | Gard Nilssen Acoustic Unity | D♭ Major | 7 | 3B | 158 BPM | ||
| Primal Poem | Matthew Shipp | G Minor | 2 | 6A | 83 BPM | ||
| All or Nothing at All | The Jazz Seekers, Niclas Knudsen | A Minor | 3 | 8A | 70 BPM | ||
| Logging Back The Day | Rope | G Major | 3 | 9B | 119 BPM | ||
| Tupanatinga | Alexandre Aquino Trio | D Minor | 3 | 7A | 98 BPM | ||
| Love and Strife | Reinier Baas, Ben van Gelder, Marta Warelis, Han Bennink | E Major | 6 | 12B | 120 BPM | ||
| Gnossienne | Adam Forkelid, Niklas Fernqvist, Carl Mörner Ringström, Daniel Fredriksson | C Minor | 5 | 5A | 109 BPM | ||
| C Moll Maj | Thomas Strønen, Bobo Stenson, Fredrik Ljungkvist, Mats Eilertsen | C Minor | 2 | 5A | 121 BPM | ||
| BANGER NOSTALGIE | Noé Huchard, Margaux Huchard | F Minor | 2 | 4A | 87 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| The New AGE | AGE, Gustav Lundgren, Adrien Sanchez, Édouard Pennes, Jean Dousteyssier, Guilhem Flouzat, Maxime Sanchez | A Minor | 3 | 8A | 70 BPM |