Hemant Kumar, Usha Mangeshkar, Sabita Banerjee, Ranu Mukherjee, Salil Chowdhury's ' "Kabuliwala Pt. 1" was released on its scheduled release date, December 14, 1961. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Salil Chowdhury, Prem Dhawan, Gulzar's "Kabuliwala" album is number 5 out of 5. On top of that, India appears to be the country where this track was created. Based on our statistics, Kabuliwala Pt. 1's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Kabuliwala Pt. 1 by Hemant Kumar, Usha Mangeshkar, Sabita Banerjee, Ranu Mukherjee, Salil Chowdhury to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Us Mod Se Shuroo Karen | Jagjit Singh, Chitra Singh | E Major | 4 | 12B | 100 BPM | ||
| Chadhta Sooraj | Aziz Nazan | F♯ Major | 4 | 2B | 138 BPM | ||
| Amar Shwapne Dekha Rajkanya | Shyamal Mitra | F♯ Minor | 4 | 11A | 119 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Zindagi Jab Bhi | Talat Aziz | F Minor | 2 | 4A | 78 BPM | ||
| Teri Ankhon Ki Chahat Mein | Anwar Hussain | E Major | 4 | 12B | 153 BPM | ||
| Sunayanasunayana - Aa In Nazaron Ko Tum | K. J. Yesudas | E Minor | 5 | 9A | 141 BPM | ||
| Khud Se Jo Vada Kiya Tha | Pamela Chopra | C Major | 3 | 8B | 175 BPM | ||
| Ankhon Men Masti Sharab Ki | Talat Mahmood, Salil Chowdhury | G Major | 3 | 9B | 173 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Yaad Aa Raha Hai | Bappi Lahiri | E♭ Major | 6 | 5B | 134 BPM | ||
| Ek Main Aur Ek Tu | Asha Bhosle, Kishore Kumar, R. D. Burman | A♭ Major | 4 | 4B | 119 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Kabhi Tanhaiyon Mein | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Dur Noy Beshi Dur Oi (Jaak Ja Gechhe Ta Jaak) - Shyamal Mitra | Shyamal Mitra | B Major | 6 | 1B | 151 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Chandan Sa Badan Chanchal Chitwan - Mukesh | Mukesh, Kalyanji-Anandji | B♭ Major | 3 | 6B | 94 BPM | ||
| Hum Aap Ki Ankhon Mein | Geeta Dutt, Mohammed Rafi | G Major | 2 | 9B | 142 BPM | ||
| Khoya Khoya Chand Khula Aasman (From "Kala Bazar") | Mohammed Rafi | A Major | 5 | 11B | 81 BPM | ||
| Roja Jaaneman | A.R. Rahman, S. P. Balasubrahmanyam | E Major | 5 | 12B | 91 BPM | ||
| Toote Huye Khwabon Ne | Mohammed Rafi, Salil Chowdhury | E Minor | 3 | 9A | 104 BPM | ||
| Hamri Atariya Pe Aao (Dadra) | Begum Akhtar | D Minor | 6 | 7A | 74 BPM |