"In Gold" by Submotion Orchestra had its release date on February 19, 2016. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 4 out of 10 in Colour Theory by Submotion Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In Gold is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of In Gold by Submotion Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marion | Beacon | E Major | 5 | 12B | 160 BPM | ||
| Tidal Wave | Andrew Bayer, Alison May | B♭ Major | 4 | 6B | 75 BPM | ||
| Needs | Submotion Orchestra, Andrew Ashong | A Minor | 6 | 8A | 122 BPM | ||
| Nothing Is Worth Losing That | Telefon Tel Aviv | E Minor | 5 | 9A | 120 BPM | ||
| Ivy | Tusks | E♭ Minor | 1 | 2A | 124 BPM | ||
| Timeless | James Blake | B♭ Minor | 3 | 3A | 140 BPM | ||
| ORACLE | HÆLOS | A♭ Major | 7 | 4B | 120 BPM | ||
| Fragments (feat. Zara Kershaw) | Michael St Laurent, Zara Kershaw | B Minor | 4 | 10A | 105 BPM | ||
| Awake | Croquet Club | B Major | 8 | 1B | 108 BPM | ||
| Lost in Me - Splinter's eMotion Picture Remix | Emily Underhill | C Minor | 4 | 5A | 167 BPM | ||
| Colour Fading | Portico, Jono McCleery | E Minor | 7 | 9A | 177 BPM | ||
| Full Circle | HÆLOS | G Major | 7 | 9B | 91 BPM | ||
| The End Where We Start | The Black Queen | A Major | 7 | 11B | 120 BPM | ||
| It's Where the World Ends | Indian Wells | B♭ Minor | 7 | 3A | 120 BPM | ||
| No More Hesitation | Sorrow, Cyn | C Minor | 4 | 5A | 167 BPM | ||
| Grow (ARNXT041) - Submotion Orchestra Remix | Kidnap, Leo Stannard, Submotion Orchestra | A Minor | 4 | 8A | 140 BPM | ||
| Sorceress | Jordan Rakei | G Minor | 5 | 6A | 98 BPM | ||
| Life After | Submotion Orchestra | E Minor | 5 | 9A | 186 BPM | ||
| Mend Me | Submotion Orchestra | F♯ Minor | 6 | 11A | 138 BPM | ||
| Burn | Tusks | F♯ Major | 3 | 2B | 74 BPM | ||
| A Caged Bird/Imitations of Life | The Cinematic Orchestra, Roots Manuva | C Minor | 4 | 5A | 119 BPM | ||
| Breathe This Air - Remaster 2023 | Jon Hopkins | D♭ Major | 6 | 3B | 129 BPM | ||
| Starlight Lace | TOKiMONSTA | F Minor | 8 | 4A | 170 BPM | ||
| False | Tusks | A Minor | 4 | 8A | 105 BPM | ||
| Into The Night | Beacon | F Major | 5 | 7B | 120 BPM |