Pale Ram's ' "Bandi Ko Bulaya Part 8" was released on its scheduled release date, July 24, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Chandra Kiran Vol 2 by Pale Ram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bandi Ko Bulaya Part 8's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Bandi Ko Bulaya Part 8 by Pale Ram is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mayke Me Nono Lagat Naiya Sasre Jane Moy | Raju Patel | F Major | 7 | 7B | 123 BPM | ||
| Kalmi Katheri Ho Jal Chanda Aogniyu Bhoge Mara Hadbi Kachhrore | Viraram Dewasi | F♯ Major | 10 | 2B | 123 BPM | ||
| Babbar Sher (Kavishar Joga Singh Jogi Gurmeet Singh MA) | DiLLi Ke DiLWaaLi | D Major | 9 | 10B | 125 BPM | ||
| Teri Maya Apram Part 1 | Ranbir, Vikash, Virpal, Sunil, Pale Ram | D♭ Major | 7 | 3B | 100 BPM | ||
| Aa Beta Rohtash | Koshinder Khadana, Rishipal | B♭ Minor | 7 | 3A | 126 BPM | ||
| आयोडा़ संतों ने आदर भाव देजो रावल माल भजन | Pragaram Meghwal | A Minor | 8 | 8A | 196 BPM | ||
| Sikhandrabad Competiton Part 2 | Karampal Sharma, Manju Sharma, Brahmapal Nagar, Koshinder Khadana, Rishipal, Sunita Panchal | G Major | 8 | 9B | 86 BPM | ||
| Hindoni | Ghewar Khan, Dare Khan, Rafik Khan | F♯ Major | 7 | 2B | 127 BPM | ||
| Ek Chhore Ka Part 3 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | G Major | 4 | 9B | 78 BPM | ||
| Sona De Sajan Tera | Azad Singh Khandakhedi | A Major | 6 | 11B | 78 BPM | ||
| Bol Sankariya Re | Gokul Sharma | B Major | 7 | 1B | 109 BPM | ||
| Mane Godiya Le Lo | Mohan Singh | D♭ Major | 8 | 3B | 79 BPM | ||
| Teri Jhaki Me | Rajender Singh Kharkiya, Madhu Sharma, Sarita Chuadhary, Neelam | F♯ Minor | 8 | 11A | 126 BPM | ||
| Patheda Dham Baba Ka | Sumit Kalanaur | F♯ Major | 9 | 2B | 117 BPM | ||
| Niche Chale Tank Kairiyer Upar | Rajender Singh Kharkiya, Madhu Sharma | E Minor | 5 | 9A | 111 BPM | ||
| Pyare Jo Sangi Hai Tero | Bhai Ranjit Singh Dhadrianwale | D♭ Major | 8 | 3B | 79 BPM | ||
| Bara Saal Mein | Ramesh Kalawadiya | D♭ Major | 4 | 3B | 109 BPM | ||
| Baba Jotram Aaj Kamal Ho Gaya | Sumit Kalanaur | A♭ Minor | 9 | 1A | 116 BPM | ||
| Bahu Lage Se Badi Pyaari Part 8 | Ravinder, Ranbir, Pale Ram, Satbir, Dayanand | G Major | 5 | 9B | 141 BPM | ||
| Malik Tere Hath Bade Hai | Brijesh Shastri | G Major | 7 | 9B | 123 BPM | ||
| Jadi Zehar Ke Padi Part 6 | Pale Ram, Bali Sharma | F Major | 8 | 7B | 176 BPM | ||
| Jawan Balihari Ji Main Apne Guran Ton | Sri Hazoor Sant Isher Singh Ji Maharaj | C Minor | 8 | 5A | 99 BPM | ||
| Mat Tohmad Lave | Azad Singh Khandakhedi | D Major | 7 | 10B | 85 BPM | ||
| Mhara Gendalal Ji Bailya Charaya Tam Kesi Mer Si | Nimadi Comedy Geet | Hariom Kushwah | D♭ Major | 8 | 3B | 79 BPM | ||
| Khaud Manas Ki | Sumit Kalanaur | A♭ Major | 8 | 4B | 134 BPM |