"The Rules of Social Class" by Dexter Britain had its release date on November 3, 2014. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Best of Creative Commons". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Gambia. Based on our statistics, The Rules of Social Class's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Rules of Social Class by Dexter Britain having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brothers | Ludovico Einaudi | C Major | 5 | 8B | 132 BPM | ||
| Îles | Jordan Critz | A Minor | 2 | 8A | 116 BPM | ||
| Farewell Life (Arn Andersson Remix) | Christoffer Hagman, Arn Andersson, Nights Amore | B♭ Minor | 1 | 3A | 115 BPM | ||
| Country Trouble | Dexter Britain | B♭ Major | 2 | 6B | 105 BPM | ||
| Forgotten Altars | António Pereira | B Major | 2 | 1B | 144 BPM | ||
| Thin Echoes | Dimitris Antoniou | D Minor | 3 | 7A | 138 BPM | ||
| Floating, Floating | August Wilhelmsson | C Major | 1 | 8B | 72 BPM | ||
| Amar: Castells | Armand Amar, The City of Prague Philharmonic Orchestra | B♭ Minor | 2 | 3A | 152 BPM | ||
| Wheel Of Emotion | Raphael Ibanez de Garayo | B♭ Major | 2 | 6B | 173 BPM | ||
| Tree of Life Suite: Wild Side | Roberto Cacciapaglia, Royal Philharmonic Orchestra | B Minor | 4 | 10A | 78 BPM | ||
| Borrowed Peace | Peter Sandberg | A♭ Major | 0 | 4B | 71 BPM | ||
| Black Lights | The Carbon Files | A Minor | 2 | 8A | 160 BPM | ||
| Altitude | Muted | F Minor | 3 | 4A | 120 BPM | ||
| Copy | Chuld | B Minor | 1 | 10A | 145 BPM | ||
| The Spectacular Quiet | Lights & Motion | C Major | 4 | 8B | 77 BPM | ||
| Translucent | Oscar Collin | E♭ Major | 0 | 5B | 107 BPM | ||
| Home | Martin Herzberg | B♭ Minor | 1 | 3A | 108 BPM | ||
| Unlocking The Mind - Trailer Music | Samuel Bohn | G Minor | 3 | 6A | 124 BPM | ||
| Don't Talk About the Boat | Atli Örvarsson | E Minor | 0 | 9A | 150 BPM | ||
| Paradigm Shift | Gavin Luke | C Major | 3 | 8B | 138 BPM | ||
| Somewhere In Between | August Wilhelmsson | C Major | 0 | 8B | 68 BPM | ||
| Ending | Peter Sandberg | F♯ Minor | 2 | 11A | 144 BPM | ||
| Tree of Life Suite: Oceano | Roberto Cacciapaglia, Royal Philharmonic Orchestra | G Minor | 5 | 6A | 83 BPM | ||
| String Quartet No. 3, "Mishima": VI. Mishima / Closing | Philip Glass, The Modern String Quintet | C Minor | 3 | 5A | 72 BPM | ||
| Latent Dream | Mattia Vlad Morleo | E Major | 1 | 12B | 96 BPM |