"Kurt & Elisabeth" by Max Richter had its release date on October 5, 2018. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Kurt & Elisabeth's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Never Look Away (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Kurt & Elisabeth is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kurt & Elisabeth by Max Richter having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
| Bastava spostare lo sguardo | Paolo Buonvino | B♭ Major | 1 | 6B | 120 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Working The Boulder Problem | Marco Beltrami | A Minor | 1 | 8A | 170 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| Violin Romance | Patrick Doyle | D♭ Minor | 2 | 12A | 60 BPM | ||
| Dolce Affetto | Elena Vesova | A Minor | 0 | 8A | 67 BPM | ||
| Solo - Pt. 2 | Max Richter, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | G Minor | 0 | 6A | 67 BPM | ||
| Veil | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Benjamin Baker | E♭ Major | 0 | 5B | 74 BPM | ||
| Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Samira | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Chimps In The Trees | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Hartland | Angus MacRae, Curve Ensemble | E Minor | 1 | 9A | 97 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Memory Lane | Max Richter | B Major | 1 | 1B | 114 BPM | ||
| Crowds Can Be The Loneliest Of Places | Craig Armstrong | A Minor | 1 | 8A | 80 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Life Epilogue | Oliver Davis, Huw Watkins, Royal Philharmonic Orchestra, Julian Kershaw | A Major | 3 | 11B | 120 BPM | ||
| The Failed Visit | Nico Muhly | F Major | 1 | 7B | 91 BPM | ||
| Virign Mary | Thomas Newman | F♯ Minor | 1 | 11A | 97 BPM | ||
| Les tourments | Philippe Rombi | D♭ Major | 2 | 3B | 70 BPM | ||
| Tram at Dawn | Nico Muhly | G Minor | 2 | 6A | 60 BPM | ||
| Evelyn (What We Were We Are) | Patrick Jonsson | G Major | 3 | 9B | 95 BPM | ||
| Abiogenisis | Carlos Rafael Rivera | C Major | 0 | 8B | 78 BPM |