On May 16, 1971, the song "Eleanor Rigby - Live at Fillmore West, San Francisco, February 5, 1971" was released by Aretha Franklin. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Eleanor Rigby - Live at Fillmore West, San Francisco, February 5, 1971's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 10 in Aretha Live at Fillmore West by Aretha Franklin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Eleanor Rigby - Live at Fillmore West, San Francisco, February 5, 1971's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Eleanor Rigby - Live at Fillmore West, San Francisco, February 5, 1971 by Aretha Franklin is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slippin' Into Darkness - Live Version | War | A Major | 7 | 11B | 91 BPM | ||
| Tell Mama | Etta James | F Major | 8 | 7B | 120 BPM | ||
| Yes We Can, Pt. 1 | Lee Dorsey | D Major | 6 | 10B | 172 BPM | ||
| When the Battle Is Over | Aretha Franklin | B♭ Major | 6 | 6B | 120 BPM | ||
| Lovin' Feeling | The Charmels | A♭ Major | 5 | 4B | 96 BPM | ||
| Steamroller | Merry Clayton | G Major | 6 | 9B | 107 BPM | ||
| Going Up to the Country and Paint My Mailbox Blue - Live | Taj Mahal | F Minor | 6 | 4A | 152 BPM | ||
| Cupid - Live at the Harlem Square Club, Miami, FL - January 1963 | Sam Cooke | G Major | 6 | 9B | 66 BPM | ||
| Blackbird | Billy Preston | G Major | 8 | 9B | 91 BPM | ||
| Signed, Sealed, Delivered (I'm Yours) - Live At Talk Of The Town/1970 | Stevie Wonder | B♭ Major | 8 | 6B | 115 BPM | ||
| Life On Mars | Barbra Streisand | D♭ Major | 4 | 3B | 130 BPM | ||
| No Tears - In the End | Roberta Flack | C Major | 4 | 8B | 202 BPM | ||
| Someday We'll Have A Better World | Eddie Kendricks | C Major | 6 | 8B | 108 BPM | ||
| (I Can Feel Those Vibrations) This Love Is Real | Jackie Wilson | G Major | 7 | 9B | 121 BPM | ||
| Good to Me as I Am to You | Aretha Franklin | G Major | 4 | 9B | 120 BPM | ||
| Sunshine Of Your Love - Cream Cover | The 5th Dimension | D Minor | 9 | 7A | 120 BPM | ||
| Man Oh Man | The Impressions | D♭ Major | 4 | 3B | 76 BPM | ||
| Help Me (feat. The Joni Jam) - Live at the Newport Folk Festival, Newport, RI, 7/24/2022 | Joni Mitchell, The Joni Jam | G Major | 3 | 9B | 82 BPM | ||
| Victim of the Darkness - Remastered Version | Allen Toussaint | C Major | 6 | 8B | 95 BPM | ||
| Don't Leave Me This Way (feat. Teddy Pendergrass) | Harold Melvin & The Blue Notes, Teddy Pendergrass | C Major | 7 | 8B | 120 BPM | ||
| Maybe I'm Amazed | Faces | C Major | 7 | 8B | 78 BPM | ||
| The Edge Of A Dream | Minnie Riperton | F Major | 4 | 7B | 99 BPM | ||
| Love Factory | Eloise Laws | G Minor | 7 | 6A | 121 BPM | ||
| Knock on Wood - Live at Fillmore West, San Francisco, CA, 3/5/1971 | The Memphis Horns | D Major | 8 | 10B | 148 BPM | ||
| Like A Rolling Stone | Maxine Weldon | F Minor | 8 | 4A | 95 BPM |