Tony Sly's 'Second Act (End Credits)' had a release date set for February 16, 2010. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 12 Song Program, so we believe that "Second Act (End Credits)" is a single. Based on our statistics, Second Act (End Credits)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Second Act (End Credits) by Tony Sly is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey God | Tony Sly | A♭ Minor | 4 | 1A | 143 BPM | ||
| I'm so Sorry Tony | NOFX | A Major | 9 | 11B | 111 BPM | ||
| Blue in the Face | Alkaline Trio | E Major | 6 | 12B | 148 BPM | ||
| Bitter Morning Taste | Tim Vantol | F♯ Major | 4 | 2B | 104 BPM | ||
| Journey to the End of the East Bay | Tim Timebomb | C Major | 7 | 8B | 86 BPM | ||
| Black Derby Jacket | Left Alone | G Major | 9 | 9B | 135 BPM | ||
| Do What You Do | Chuck Ragan | G Major | 9 | 9B | 136 BPM | ||
| Wrecking Hotel Rooms - LIQ Version | MxPx | D♭ Major | 4 | 3B | 116 BPM | ||
| Restless | Rumbleseat | G Major | 6 | 9B | 82 BPM | ||
| Breaking The Chain (Acoustic) | Sum 41 | F♯ Minor | 3 | 11A | 113 BPM | ||
| Adam's Atoms - Acoustic | Bad Religion | E Minor | 4 | 9A | 125 BPM | ||
| Expired | Tony Sly | C Major | 3 | 8B | 126 BPM | ||
| Waves | Jonathan Mendez | E♭ Major | 4 | 5B | 113 BPM | ||
| Great Expectations (Acoustic) | The Gaslight Anthem | B♭ Major | 5 | 6B | 128 BPM | ||
| Jordan's First Choice | Against Me! | C Minor | 3 | 5A | 95 BPM | ||
| Gave You Everything - Acoustic | The Interrupters | D Major | 4 | 10B | 142 BPM | ||
| Angry Days (Acoustic) | Lagwagon | E Major | 5 | 12B | 143 BPM | ||
| Moving On Blue | Tim Barry | G Major | 3 | 9B | 75 BPM | ||
| The Burden of Proof / Reign (Acoustic) | Joey Cape | A♭ Major | 5 | 4B | 91 BPM | ||
| Watchmakers Dial | Greg Graffin | G Major | 5 | 9B | 135 BPM | ||
| Pigs | Brendan Kelly | E Major | 4 | 12B | 122 BPM | ||
| Steal Your Words | Sundowner | G Major | 6 | 9B | 101 BPM | ||
| Walk 500 Miles | Tim Barry | B♭ Major | 2 | 6B | 183 BPM | ||
| Efl Vs Concrete - Acoustic | Snuff | G Major | 4 | 9B | 154 BPM | ||
| Friday Tonight - LIQ Version | MxPx | D♭ Major | 5 | 3B | 139 BPM |