John McCrae's ' "In Flanders Fields" was released on its scheduled release date, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 32 out of 46. Based on our statistics, In Flanders Fields's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of In Flanders Fields by John McCrae to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Jokes in Taxi | Rabbi Yoel Ferber | A Major | 4 | 11B | 129 BPM | ||
| In Flanders Field | Christopher Heathe, John McCrae | E Minor | 0 | 9A | 85 BPM | ||
| Chapter 08: Mikosh Returns | Bibi and Tina, Britt Mcckillip, Chantal Strand, Adrian Petriw, Ulf Thiem | A♭ Major | 3 | 4B | 79 BPM | ||
| O Canada - English Version | The Royal Canadian Mounted Police Band & Soloists | E♭ Major | 3 | 5B | 94 BPM | ||
| Donut Holes | Phone Losers of America | B Major | 9 | 1B | 105 BPM | ||
| The Richest Man Alive | Leon Earl Harris | D Minor | 3 | 7A | 110 BPM | ||
| Chapter 2 - Say Cheese and Die! - Classic Goosebumps 8 | R.L. Stine, Johnny Heller | A♭ Minor | 2 | 1A | 166 BPM | ||
| Park Town | Children's Bedtime Stories | G Minor | 1 | 6A | 131 BPM | ||
| Pray | Swavy Dee | E Major | 0 | 12B | 64 BPM | ||
| Storm Warning | Mike McCullough | F Major | 3 | 7B | 169 BPM | ||
| To Feed an Empty Soul | Nik_Poetry | C Major | 2 | 8B | 110 BPM | ||
| Chapter 3.2 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Chapter 48 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A♭ Major | 3 | 4B | 86 BPM | ||
| Victorian London, Pt. 10 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| I Spy | The Listies | D♭ Major | 4 | 3B | 67 BPM | ||
| Twelfth Night, Act I Scene 1: If Music Be The Food Of Love, Play On... (Shakespeare) | Michael Sheen | F Major | 0 | 7B | 82 BPM | ||
| Black Hole | Chris Barrie | C Major | 2 | 8B | 58 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM | ||
| Address To A Haggis | Robert Burns, Gordon Kennedy | F Major | 3 | 7B | 142 BPM | ||
| Ode On a Grecian Urn | Richard Mitchley | A Major | 2 | 11B | 59 BPM | ||
| Can You Hear Me Now? | Buck Howdy | B♭ Minor | 2 | 3A | 83 BPM | ||
| A Song of Patriotic Prejudice | Flanders & Swann | B♭ Major | 3 | 6B | 172 BPM | ||
| Chapter 3.3 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Livin' On Borrowed Time - human version | Camelot Ocelot, Breaking Rust | D Major | 2 | 10B | 81 BPM |