"Turning Point" by ABBOTT, 2WEI had its release date on November 28, 2025. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in ALWAYS HAMBURG (Original Soundtrack) by ABBOTT. In terms of popularity, Turning Point is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Turning Point by ABBOTT, 2WEI is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fortanach - Piano Version | Sebastian Plano, Kindt | G Minor | 1 | 6A | 148 BPM | ||
| Thesis | Peter Sandberg | G Minor | 1 | 6A | 95 BPM | ||
| A Compulsion | Thomas Farnon | F Major | 2 | 7B | 115 BPM | ||
| Retribution | Samuel Bohn | D Minor | 4 | 7A | 95 BPM | ||
| Vesper | Christopher Dennis Coleman | G Major | 1 | 9B | 168 BPM | ||
| Finding The Bodies | Luke Richards | D Minor | 1 | 7A | 68 BPM | ||
| Fall from Grace (With Choir) | Kerry Muzzey | B Minor | 2 | 10A | 166 BPM | ||
| Falling | Omar Raafat | C Minor | 1 | 5A | 180 BPM | ||
| Chiaroscuro | Dan Thiessen | D Minor | 3 | 7A | 80 BPM | ||
| Zion | Judah Earl | F♯ Minor | 3 | 11A | 89 BPM | ||
| Vikersund | RØRE, Avery Bright | D Major | 2 | 10B | 140 BPM | ||
| Consequence | David A. Molina | E Minor | 3 | 9A | 76 BPM | ||
| Eschaton | Tony Anderson, Chris Coleman | D Minor | 1 | 7A | 67 BPM | ||
| Fair Passage | Angus MacRae | F Major | 1 | 7B | 194 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Like Leaves of a Lotus | Francis Wells | D♭ Major | 0 | 3B | 64 BPM | ||
| Clockwise - pølaroit Remix | ABBOTT, pølaroit | D♭ Minor | 6 | 12A | 118 BPM | ||
| Afterlight | Eternal Eclipse | G Minor | 3 | 6A | 87 BPM | ||
| Intro | Phoria | B♭ Major | 2 | 6B | 68 BPM | ||
| We Gazed Upon the Painted Sky | Abilene | G Minor | 2 | 6A | 168 BPM | ||
| Anomali (Reprise) | Jordan Critz | A Minor | 2 | 8A | 134 BPM | ||
| Dawn | Omar Raafat | C Major | 1 | 8B | 77 BPM | ||
| Erase Me | Kelsey Woods, Distant Cowboy | E Minor | 2 | 9A | 68 BPM | ||
| Never Let Me Go | Ursine Vulpine | D Minor | 3 | 7A | 74 BPM | ||
| Harmony | Peter Sandberg | C Minor | 1 | 5A | 58 BPM |