Marc Ribot, Eszter Balint's 'The Lost Soul' had a release date set for April 28, 2023. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "I Am A Pilgrim: Doc Watson at 100" album is number 14 out of 15. Based on our statistics, The Lost Soul's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Lost Soul by Marc Ribot, Eszter Balint to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Gozar el Tumbao (feat. Angá Díaz, Amadito Valdés, Carlos González & Manuel Galbán) | Orlando "Cachaíto" López, Angá Diaz, Amadito Valdés, Carlos Gonzalez, Manuel Galbán | A Minor | 4 | 8A | 122 BPM | ||
| The Stager Spleen | L'Attirail | C Major | 3 | 8B | 180 BPM | ||
| A travers les orages | Kham Meslien | A♭ Major | 2 | 4B | 91 BPM | ||
| Ripped Open By Metal Explosions | Galt MacDermot | E Minor | 6 | 9A | 85 BPM | ||
| Land of the Arum Flower | Web Web | G Major | 6 | 9B | 104 BPM | ||
| Go Tell the Women | Grinderman | G Major | 4 | 9B | 134 BPM | ||
| Korokoro | Henri Texier, Aldo Romano, Louis Sclavis | E Minor | 3 | 9A | 122 BPM | ||
| El Gaucho Rojo | Marc Ribot, Los Cubanos | E Minor | 7 | 9A | 98 BPM | ||
| Inside the Acorn | Maisha | D♭ Major | 4 | 3B | 91 BPM | ||
| Tomorrow Never Knows - 2024 Remastered Version | Junior Parker | C Major | 0 | 8B | 79 BPM | ||
| How To Walk In Freedom | Marc Ribot, Sam Amidon, Fay Victor | E Minor | 5 | 9A | 98 BPM | ||
| Soldiers in the Army of Love | Marc Ribot, Ceramic Dog | G Major | 9 | 9B | 159 BPM | ||
| Bury Me Not on the Lone Prairie | Buddy Miller, Marc Ribot | A Major | 1 | 11B | 114 BPM | ||
| Rain Shower | Olu Dara | A Major | 3 | 11B | 134 BPM | ||
| Bêtes féroces | Orchestre Tout Puissant Marcel Duchamp | B♭ Minor | 7 | 3A | 116 BPM | ||
| Main Titles | John Lurie | C Major | 1 | 8B | 91 BPM | ||
| SHUT UP MOON, Pt. 2 | SLANT CAN, Howe Gelb, Beth Goodfellow | G Major | 2 | 9B | 108 BPM | ||
| "Ma-Ma" FC | Ballaké Sissoko, Vincent Ségal | B♭ Major | 3 | 6B | 104 BPM | ||
| Frösön | Tonbruket | G Major | 1 | 9B | 79 BPM | ||
| Shrewd Woman | Rabih Abou-Khalil | C Minor | 3 | 5A | 112 BPM | ||
| Djanfa Magni | Kouyaté-Neerman | A Minor | 6 | 8A | 115 BPM | ||
| Harlem Nocturne | The Lounge Lizards | C Minor | 3 | 5A | 105 BPM | ||
| Love's Madness | Lund Quartet | C Minor | 4 | 5A | 120 BPM | ||
| Mozambic | Michel Portal, Bernard Lubat, Harry Pepl, Mino Cinelu, Jean-François Jenny-Clark, Claude Barthélemy, Andy Emler, André Cecarelli, Jannick Top, Richard Galliano, Jean Schwarz | G Minor | 4 | 6A | 88 BPM | ||
| Dark River | Hazmat Modine | A Minor | 1 | 8A | 97 BPM |