Piano Manly's ' "C Octatonic Scale" was released on its scheduled release date, January 30, 2019. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 31 in All C Scales by Piano Manly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of C Octatonic Scale is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of C Octatonic Scale by Piano Manly is Presto (very, very fast), since this song has a tempo of 190 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phone Calls Nonstop | Miles Spread | F Major | 0 | 7B | 119 BPM | ||
| Dia conrap | KJMV9 | F♯ Minor | 2 | 11A | 97 BPM | ||
| Ejercicio 4 - Voz de Pecho en Ah | Academia de Canto | E♭ Major | 2 | 5B | 106 BPM | ||
| Wood | Lonero | D♭ Major | 3 | 3B | 106 BPM | ||
| E Flat Harmonic Minor | Piano Manly | A♭ Major | 0 | 4B | 210 BPM | ||
| Mixed Voice Vocal Exercise #7 (Big Slides On “AH”) | Jacobs Vocal Academy | C Major | 1 | 8B | 110 BPM | ||
| Choices | Sando Flioni | G Minor | 2 | 6A | 120 BPM | ||
| Calentamiento Nua Para Mujer | Ejercicios vocales | F Minor | 6 | 4A | 120 BPM | ||
| Suoni nel vuoto | Allu | C Major | 1 | 8B | 180 BPM | ||
| Summer Calypso | Rachael Forsyth, London Music Press | A Major | 0 | 11B | 179 BPM | ||
| Midnight Prism | Neón del Río | A♭ Minor | 4 | 1A | 166 BPM | ||
| B Flat Major | Piano Manly | C Major | 0 | 8B | 210 BPM | ||
| Bounce Beats | Loved Sadness | B Minor | 0 | 10A | 105 BPM | ||
| Quick Voice Warmup Exercise | Ellen Halsinger | G Major | 5 | 9B | 180 BPM | ||
| Phyrgian Dominant Scale | Piano Manly | C Major | 0 | 8B | 135 BPM | ||
| Serenade of Ghosts | Aria Elizabeth Whitfield | C Major | 1 | 8B | 137 BPM | ||
| Male Vocal Warm Up, Pt. 3 | Ear Training Guild | A Major | 3 | 11B | 85 BPM | ||
| Beige Lover | Ubaldo Pagnotto | F♯ Minor | 2 | 11A | 75 BPM | ||
| Humming | Isaac Cates | E♭ Major | 1 | 5B | 120 BPM | ||
| Prelude No 1 | Stewart Thompson, London Music Press | F Major | 0 | 7B | 80 BPM | ||
| Calentamiento Ioioioi Para Mujer | Ejercicios vocales | F Minor | 6 | 4A | 120 BPM | ||
| Fourragin | Thrya | F♯ Minor | 5 | 11A | 132 BPM | ||
| Exercise 3: S.O.V.T. | The Worship Initiative | C Major | 2 | 8B | 126 BPM | ||
| Loaded Bases | Platinummouf | D♭ Major | 4 | 3B | 120 BPM | ||
| Masked Future | Shane McKendrick Watson | F Major | 0 | 7B | 143 BPM |