"Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre à ta voix" by Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra had its release date on 2011. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 4 out of 12 in French & Italian Opera Arias by Lauris Elms. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre à ta voix is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre à ta voix by Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien | D♭ Major | 4 | 3B | 139 BPM | ||
| La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
| Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
| Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | E♭ Major | 0 | 5B | 108 BPM | ||
| Giuseppe Verdi: Rigoletto - Scorrendo uniti remota via (Chor der Höflinge) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | A Major | 3 | 11B | 123 BPM | ||
| La Bohème / Act 1: "Chi è là?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Minor | 0 | 9A | 77 BPM | ||
| Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 0 | 5B | 117 BPM | ||
| Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
| Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Paul Daniel, Lesley Garrett, Robin Blaze | F Minor | 1 | 4A | 93 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Barcarolle Tales Of Hoffman : Belle Nuit (Life Is Beautiful) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
| La fille du régiment / Act 1: Le camarade est amoureux! | Gaetano Donizetti, Eric Garrett, Luciano Pavarotti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
| La Bohème / Act 2: "Quando men vo" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | F♯ Minor | 1 | 11A | 88 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Scipione, HWV 20: Scoglio d'immota fronte | George Frideric Handel, Christophe Rousset, Sandrine Piau, Les Talens Lyriques | F♯ Minor | 0 | 11A | 98 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Casta Diva | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
| Nabucco, Opera (Nabucodonosor): Coro di Schiavi Ebrei | Traditional, Bruckner Orchestra Linz, Czech Philharmonic Choir Of Brno, St. Florian Boys’ Choir, Bernhard Klee, Richard Wagner, Giuseppe Verdi | D♭ Major | 0 | 3B | 142 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
| Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
| Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
| The Barber of Seville: Largo al factotum | Gioachino Rossini, José Carbó, Anthony Inglis, Melbourne Symphony Orchestra | C Major | 3 | 8B | 101 BPM | ||
| Gounod: Roméo et Juliette, CG 9, Act 1: No. 3 "Ah! Je veux vivre dans le rêve" (Juliette) | Charles Gounod, Diana Damrau, Munich Radio Orchestra | F Major | 1 | 7B | 78 BPM | ||
| "Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM |