Bhakta Raj Acharya's 'Launa Aaba Mero Prabhu' had a release date set for March 31, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Samarpan Bhajan-1". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Norway. Launa Aaba Mero Prabhu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Launa Aaba Mero Prabhu by Bhakta Raj Acharya having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumi Sandhyar Meghmala | Chinmoy Chatterjee | E Minor | 1 | 9A | 135 BPM | ||
| Chhalki Rahechha | Shiva Shankar, Bhakta Raj Acharya | B♭ Minor | 6 | 3A | 127 BPM | ||
| Amar Praner Manush | Swapan Basu | C Major | 2 | 8B | 101 BPM | ||
| Yatra Rahechha Jindagi | Ram Krishna Dhakal | C Major | 5 | 8B | 111 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Sakali Tomari Ichchha | Pannalal Bhattacharya | D♭ Major | 3 | 3B | 170 BPM | ||
| Jeevan Dekhi Dherai Dherai | Gopal Yonjan, Narayan Gopal | D♭ Major | 5 | 3B | 61 BPM | ||
| Jani Tomar Ajana Nahi Go | Shyamal Mitra | F♯ Minor | 2 | 11A | 145 BPM | ||
| Mero Topi | Gopal Yonjan | D♭ Major | 3 | 3B | 101 BPM | ||
| Pohar Saal Khushi Fatda | Ambar Gurung, Aruna Lama | C Major | 5 | 8B | 162 BPM | ||
| Maile Geet Chhodi Aaye | Prakash Shrestha, Asha Bhosle | C Major | 5 | 8B | 152 BPM | ||
| Bai Lek Hi Ladachi | Asha Bhosle | F Minor | 5 | 4A | 96 BPM | ||
| Ejar Phule | Mahananda Majinder Barua | B♭ Major | 4 | 6B | 157 BPM | ||
| Amar Hridoye | Prasun Mukherjee | E Minor | 4 | 9A | 151 BPM | ||
| Daya Maado Ranga | Bhimsen Joshi | E Minor | 4 | 9A | 88 BPM | ||
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM | ||
| Sabai Behoshi Nasha | Bhakta Raj Acharya | D Major | 7 | 10B | 167 BPM | ||
| Pareli Ma Aai | Kavita Krishnamurthy | G Major | 6 | 9B | 86 BPM | ||
| Aayushya Tej Aahe | Bhimrao Panchale | D Major | 4 | 10B | 112 BPM | ||
| Timilai Achel Kaha | Ram Thapa, Premdhoj Pradhan | A♭ Major | 6 | 4B | 136 BPM | ||
| Kato Je Tumi Monohar | Chinmoy Chatterjee | F♯ Major | 4 | 2B | 164 BPM | ||
| Hari Anant Hari Katha | Madhu Chandra, Pankaj Udhas, Kirti Anuraag | F Minor | 3 | 4A | 113 BPM | ||
| Satya hi Shiv hai | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Jibaner Ei Kati Din | Pannalal Bhattacharya | C Major | 2 | 8B | 87 BPM | ||
| Pokhiyera Ghamko | Narayan Gopal | D Major | 4 | 10B | 158 BPM |