"Immortal Beloved - Freya Arde Rework" by James Heather, Freya Arde had its release date on November 3, 2023. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Reworks: Vol2". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Immortal Beloved - Freya Arde Rework's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Immortal Beloved - Freya Arde Rework by James Heather, Freya Arde having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Leftovers | Sylvain Texier, Ô Lake, David Euverte, David Harlé, Paul Rouger, Vincent Dormieu | C Minor | 3 | 5A | 162 BPM | ||
| Bad Role Model | James Heather | C Minor | 1 | 5A | 113 BPM | ||
| Pour Les Oiseaux | Sylvain Chauveau | C Minor | 1 | 5A | 70 BPM | ||
| We Want To Be Remembered | Mirek Coutigny | G Major | 3 | 9B | 160 BPM | ||
| Acceptation | Hélène Vogelsinger | C Major | 1 | 8B | 172 BPM | ||
| A100 | Robert Gromotka, Jonas Hain | G Major | 2 | 9B | 115 BPM | ||
| Le Tunnel | Sylvain Chauveau | C Major | 2 | 8B | 147 BPM | ||
| Where Do You Get Your Dreams From? | Sven Laux, Logic Moon | D♭ Minor | 3 | 12A | 180 BPM | ||
| Braille | Ardie Son | E♭ Major | 1 | 5B | 66 BPM | ||
| El Camino | Braths | D♭ Major | 0 | 3B | 67 BPM | ||
| Days Without End | Lol Hammond, Duncan Forbes | D Minor | 2 | 7A | 117 BPM | ||
| Forgotten Notes | Flicker Vault | D♭ Minor | 3 | 12A | 98 BPM | ||
| Bet Ha-Chaim | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | E♭ Minor | 0 | 2A | 81 BPM | ||
| Film Credits (Arr. For String Quartet) | Iskra String Quartet, Iskra Strings, Ólafur Arnalds | E Minor | 1 | 9A | 81 BPM | ||
| A Never Ending Story | Marius Nitzbon | E♭ Minor | 2 | 2A | 82 BPM | ||
| Trapped | Freya Arde | G Major | 2 | 9B | 115 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| Anima II | Olivia Belli | E♭ Minor | 0 | 2A | 69 BPM | ||
| Afterglow 1 | Tammy Adams | D Major | 0 | 10B | 52 BPM | ||
| Pickieterno | Erland Cooper | C Major | 1 | 8B | 176 BPM | ||
| My Hole in the Sky | Patrick Avalon | E♭ Major | 0 | 5B | 151 BPM | ||
| New Wonder | Oliver Coates | E Major | 2 | 12B | 84 BPM | ||
| Tachypsychia | Josh Cohen | C Minor | 1 | 5A | 79 BPM | ||
| flow | Edvard Kravchuk | G Major | 1 | 9B | 122 BPM | ||
| Feathers Variation | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM |