Azad Singh's ' "Yari Marda Ki Dobe Adham Bechale" was released on its scheduled release date, June 12, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Azad Singh's "Lakhmi Chand Ragni" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Yari Marda Ki Dobe Adham Bechale's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Yari Marda Ki Dobe Adham Bechale by Azad Singh to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| RATH KAY CHALENA | Dilip Bashinge | B Major | 8 | 1B | 77 BPM | ||
| Bhola Nayi Mane Re | Rakesh Tiwari, Shehnaz Akhtar | D♭ Major | 8 | 3B | 76 BPM | ||
| Bebe Main To Ghus Ghus Ke Ne Roo | Narendra Kaushik | E Minor | 9 | 9A | 151 BPM | ||
| Jaagar - Gangnath | Nain Nath Rawal | B♭ Major | 9 | 6B | 109 BPM | ||
| Yaar Nasedi | Mukesh Fouji | B♭ Major | 9 | 6B | 140 BPM | ||
| Ek Chori Manay Mar Gai | Sarita, Ranbir Singh Badwasniya, Satte, Sunil, Raj | D♭ Major | 9 | 3B | 98 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Othwa Pe Kiss Lela - From "Saiyan Hamar Kalakar Baa" | Arvind Akela Kallu Ji, Azad Singh | A♭ Major | 10 | 4B | 140 BPM | ||
| Chod Ke Na Jaa Mere Piya | Azad Singh | E Minor | 4 | 9A | 151 BPM | ||
| Bundeli Chhand Bhaaag | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| Taar Bijli Se Patle Hamare Piya | Usha Shastri | A Major | 9 | 11B | 114 BPM | ||
| Shaadi Baasi Re Beru | Piyush Jhamta, Nisha Gandharv | G Major | 9 | 9B | 144 BPM | ||
| Gair Ke Moh Me | Azad Singh Khandakhedi | F♯ Minor | 8 | 11A | 81 BPM | ||
| Ranbir Badwasniya paleram dahiya Rangkat Ragni | Bali Sharma | A Major | 8 | 11B | 139 BPM | ||
| RAGNI = मन बसगी (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | E Minor | 9 | 9A | 154 BPM | ||
| Teri Khatak Ne Khale Chhori Part 5 | Rajender Kharkiya, Birpal Kharkiya, Azad Singh, Sunil Dujaniya, Pawan Dahiya Mohan Sharma | D♭ Minor | 7 | 12A | 130 BPM | ||
| Jariyu Damto Jam Ke Dhodto Jam | DJ Adivasi Maza | A Minor | 2 | 8A | 167 BPM | ||
| Mahala Niche Hariyo Bagh | Khanak | F♯ Major | 7 | 2B | 81 BPM | ||
| Ek Hath Dhal Talvar | Murlidhar Paudwal | E♭ Minor | 7 | 2A | 171 BPM | ||
| Karke Kha Le Le Ke De De | Master Satbeer Singh | A♭ Major | 6 | 4B | 116 BPM | ||
| Teri Jakhi Ke Maa Gola Maru | Azad Singh | E♭ Major | 5 | 5B | 107 BPM | ||
| Gar Tughea Jarurat Noker Ki | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 9 | 7B | 135 BPM | ||
| Khaud Manas Ki | Sumit Kalanaur | A♭ Major | 8 | 4B | 134 BPM | ||
| Ragni = पत्तला दुपट्टा तेरा मुह दिखै (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | E Minor | 9 | 9A | 152 BPM | ||
| Kis Ne Sare | Azad Singh Khandakhedi | B♭ Minor | 5 | 3A | 79 BPM |