On January 1, 1996, the song "Yaa Waris" was released by Sharif Parwaz. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yaa Waris by Sharif Parwaz. The song's track number on the album is #2 out of 6 tracks. In terms of popularity, Yaa Waris is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Yaa Waris by Sharif Parwaz has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Yaa Waris being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gharaki Mari Paraso | Jaysingh raja, jyoti Kushvah | F♯ Minor | 7 | 11A | 160 BPM | ||
| Kavne Dariya Soheli Koiliya | Bechan Ram Rajbhar | C Minor | 5 | 5A | 160 BPM | ||
| Gaji Silak Ki Saree Layde | Brijesh Shastri | D♭ Major | 6 | 3B | 97 BPM | ||
| Main Na Bhulunga | Narender Kaushik | G Major | 10 | 9B | 150 BPM | ||
| Na Jane Kyon Tera Milkar Vicharna Yaad Aata Hai | Shahid Ali Khan | D♭ Minor | 8 | 12A | 104 BPM | ||
| Gouri Ke Nanda Gajannad -7 | Prakash Mali | D Minor | 8 | 7A | 101 BPM | ||
| Maiya Narbada Thari Jay Jaykar | Nimadi Maa Narmada Bhajan | Ashwin Yadav | D♭ Major | 7 | 3B | 113 BPM | ||
| Humko Tumse Pyaar Ho Gaya | Sharif Parwaz | D♭ Major | 8 | 3B | 154 BPM | ||
| बाबा रामदेव जी की आरती || | JBB STUDIO LIVE KOTA | F♯ Major | 4 | 2B | 175 BPM | ||
| Aail Budhauti Baaki | Madan Rai | A♭ Major | 6 | 4B | 137 BPM | ||
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Jab Jab Penhelu Sadi | Manish Samrat | F Major | 7 | 7B | 147 BPM | ||
| Darshan Dedo Khatu Waale | Vijay Rajput, Sunil Sharma Dhingadiya | D♭ Major | 9 | 3B | 87 BPM | ||
| MATA MADANAN KA SOL | Ashu Verma | A Major | 8 | 11B | 106 BPM | ||
| Kavne Banva Boleli Koiliya | Bechan Ram Rajbhar | A Major | 5 | 11B | 71 BPM | ||
| Det Badi Gari Maina Mahtari | Manish Samrat | E♭ Minor | 9 | 2A | 163 BPM | ||
| Mere Sabir Piya Sabki Laaj Rakhenge | Azim Naza | F♯ Major | 9 | 2B | 180 BPM | ||
| Raja Payal Utar Da Awaj Karata | Ruchi Yadav Birha | F♯ Major | 5 | 2B | 142 BPM | ||
| Pachiso Kal | Ray Chand, Champa Methi | B Minor | 8 | 10A | 170 BPM | ||
| Ghareeb Hui Zaror Par Ajeeb Chokri Hui | Rajab Faqeer | A♭ Major | 8 | 4B | 164 BPM | ||
| Maari Bhar Ke Najaria | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | D♭ Minor | 7 | 12A | 78 BPM | ||
| Karb - O - Bala Wale | Sharif Parwaz | B♭ Major | 8 | 6B | 90 BPM | ||
| Salam Aap Par Tazeda Mazina | Sharif Parwaz | F Major | 7 | 7B | 147 BPM | ||
| Hai Kauna Khandan Ke | Sudhir Lal Yadav | E♭ Minor | 9 | 2A | 93 BPM | ||
| Asan Je Sada Wa Sada Ahe Alsti | Rajab Faqeer | E♭ Major | 6 | 5B | 120 BPM |