3 Small Tone Poems: No. 2, Winter Night, "Sleigh Ride" by Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones Song Details

"3 Small Tone Poems: No. 2, Winter Night, "Sleigh Ride"" by Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones had its release date on March 1, 2004. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 3 out of 10 in Delius: On Hearing the First Cuckoo in Spring by Frederick Delius, David Lloyd-Jones, Royal Scottish National Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 3 Small Tone Poems: No. 2, Winter Night, "Sleigh Ride" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 3 Small Tone Poems: No. 2, Winter Night, "Sleigh Ride" by Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -27.709 dB
Acousticness: 87%
Danceability: 23%
Energy: 3%
Instrumentalness: 11%
Liveness: 7%
Loudness: 54%
Speechiness: 4%
Valence: 4%

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