On June 26, 2020, the song "Count To Ten" was released by Ciaran Lavery. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Count To Ten's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Plz Stay, bb". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Count To Ten's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Count To Ten by Ciaran Lavery having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Golden (Acoustic) | Becca Mancari | E Major | 2 | 12B | 137 BPM | ||
| By Night | Puzzle Muteson | B Minor | 3 | 10A | 92 BPM | ||
| Find a Way | Austin Basham | B Major | 4 | 1B | 110 BPM | ||
| Song For Zula - Live From Spotify London | Phosphorescent | E Major | 3 | 12B | 88 BPM | ||
| Why Do I Try | Horse Feathers | G Major | 3 | 9B | 91 BPM | ||
| Far Too Good | John Smith | E Major | 3 | 12B | 97 BPM | ||
| Illinois | Anna Tivel | G Minor | 3 | 6A | 76 BPM | ||
| Destined to Pretend | Beta Radio | A♭ Major | 3 | 4B | 79 BPM | ||
| Mary May & Bobby | Joe Purdy | B♭ Major | 5 | 6B | 186 BPM | ||
| To Chicago | Ciaran Lavery | F Major | 4 | 7B | 124 BPM | ||
| Little Flower | Peter Bradley Adams, ALIAS Chamber Ensemble | F Major | 3 | 7B | 85 BPM | ||
| Gamble for a Rose | King Charles | E Major | 2 | 12B | 100 BPM | ||
| Dropping | Mat Hunsley | B Minor | 2 | 10A | 138 BPM | ||
| The Only Thing I Fear | Joshua Burnside | D Major | 0 | 10B | 78 BPM | ||
| All My Days | Alexi Murdoch | D Major | 4 | 10B | 88 BPM | ||
| Nothing’s Gonna Happen | The Staves | D Major | 2 | 10B | 75 BPM | ||
| Bees | The Ballroom Thieves | C Major | 1 | 8B | 102 BPM | ||
| How I Miss You | Mick Flannery | G Major | 3 | 9B | 88 BPM | ||
| Full Moon Rising | Neil Halstead | C Major | 3 | 8B | 74 BPM | ||
| I Am Not in Love Anymore | Liza Anne | E Minor | 6 | 9A | 88 BPM | ||
| Your Moon | Rosie Carney | B Minor | 2 | 10A | 116 BPM | ||
| Over You | Robby Hecht, Caroline Spence | G Major | 2 | 9B | 74 BPM | ||
| No One's Gonna Love You (Stockholm Version) | Band of Horses | D♭ Major | 2 | 3B | 142 BPM | ||
| All the Beds I've Made (Acoustic) | Caroline Spence | D Major | 2 | 10B | 90 BPM | ||
| Vancouver Waves | August and After | A Major | 4 | 11B | 156 BPM |