Bert Jansch's ' "Angie (Live)" was released on its scheduled release date, January 1, 1965. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Angie (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 17 in Bert Jansch by Bert Jansch. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Angie (Live) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Angie (Live) by Bert Jansch is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Let My Marigolds Die | Bill Fay | A Minor | 0 | 8A | 136 BPM | ||
| Black Sheep Boy | Tim Hardin | A Major | 1 | 11B | 169 BPM | ||
| Brown Skinned Woman | Snooks Eaglin | B Major | 2 | 1B | 107 BPM | ||
| Winter Is Blue | Vashti Bunyan | D♭ Major | 1 | 3B | 105 BPM | ||
| Fresh As A Sweet Sunday Morning | Bert Jansch | D♭ Minor | 3 | 12A | 100 BPM | ||
| Down Narrrow Streets | Mark Fry | A Major | 4 | 11B | 143 BPM | ||
| When the Sun Comes Up | Bert Jansch, Beth Orton | F Minor | 5 | 4A | 108 BPM | ||
| Spencer The Rover | John Martyn | E Major | 1 | 12B | 132 BPM | ||
| Johnny Be Gay If You Can Be | Terry Callier | D Major | 2 | 10B | 116 BPM | ||
| Wild Mountain Thyme - Live At BBC Sounds Of The 70's, London / 1970 | Fotheringay | C Major | 2 | 8B | 145 BPM | ||
| Peace In The End | Fotheringay | G Major | 6 | 9B | 119 BPM | ||
| Black Muddy Water | Norma Waterson | C Major | 3 | 8B | 80 BPM | ||
| Winter Winds | Fotheringay | D Minor | 3 | 7A | 174 BPM | ||
| Dolphins | Tim Buckley | C Major | 4 | 8B | 107 BPM | ||
| The Pearl - Remastered Version | Judee Sill | G Major | 1 | 9B | 95 BPM | ||
| Smokey River | Bert Jansch | G Major | 3 | 9B | 118 BPM | ||
| The Sea | Fotheringay | A Major | 4 | 11B | 129 BPM | ||
| I Hate the White Man - 2016 Remaster | Roy Harper | B Minor | 3 | 10A | 94 BPM | ||
| Nothing More | Fotheringay | D Minor | 4 | 7A | 87 BPM | ||
| Jack Orion | Bert Jansch | B♭ Minor | 3 | 3A | 177 BPM | ||
| Rambling's Gonna Be the Death of Me | Bert Jansch | D♭ Minor | 2 | 12A | 92 BPM | ||
| Over The Hill | John Martyn | A Minor | 4 | 8A | 94 BPM | ||
| Proud Maisrie | Shirley Collins, Davy Graham | F♯ Major | 3 | 2B | 137 BPM | ||
| River | Terry Reid | G Major | 3 | 9B | 101 BPM | ||
| Translucent Carriages | Pearls Before Swine | G Major | 3 | 9B | 86 BPM |