Margaret Whiting, Jimmy Wakely's ' "The Gods Were Angry With Me" was released on its scheduled release date, January 1, 1999. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. The Gods Were Angry With Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "The Complete Capitol Hits Of Margaret Whiting". In this album, this song's track order is #33. In terms of popularity, The Gods Were Angry With Me is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Gods Were Angry With Me by Margaret Whiting, Jimmy Wakely having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As Long As I Live | Billy Eckstine, Woody Herman & His Orchestra | C Minor | 2 | 5A | 108 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| On The Sunny Side Of The Street | Benny Goodman | G Minor | 1 | 6A | 122 BPM | ||
| I'm Nobody's Baby | Vic Damone | F Minor | 2 | 4A | 135 BPM | ||
| When Lights Are Low | Dakota Staton | C Major | 1 | 8B | 72 BPM | ||
| Blue Skies | Betty Hutton | F Minor | 1 | 4A | 131 BPM | ||
| How Important Can It Be - Remastered | Joni James | D♭ Major | 3 | 3B | 87 BPM | ||
| Ain't Misbehavin' | Maxine Sullivan | C Major | 3 | 8B | 129 BPM | ||
| It's a Blue World | Ilene Woods | C Major | 1 | 8B | 72 BPM | ||
| Murder, He Says | Betty Hutton | C Major | 1 | 8B | 72 BPM | ||
| As Long As I'm In Your Arms | Dinah Washington | G Major | 5 | 9B | 124 BPM | ||
| Don Cha Go Way Mad | Lucy Ann Polk | C Minor | 0 | 5A | 116 BPM | ||
| Softly, as in a Morning Sunrise | Frank Sinatra Jr. | C Major | 5 | 8B | 135 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| Love Walked In | Chris Connor | F Major | 0 | 7B | 72 BPM | ||
| The Last Time I Saw Paris | Anne Shelton | C Major | 1 | 8B | 72 BPM | ||
| Looking at You | Lee Wiley | C Major | 1 | 8B | 72 BPM | ||
| Green Eyes | Jimmy Dorsey | A♭ Major | 0 | 4B | 81 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| I Love Being Here With You | Buddy Greco | G Minor | 5 | 6A | 74 BPM | ||
| Nobody But You | Margaret Whiting, Don Costa And His Orchestra | E♭ Major | 1 | 5B | 147 BPM | ||
| When Somebody Thinks You're Wonderful - Remastered | Fats Waller | B♭ Major | 2 | 6B | 111 BPM | ||
| C'est Magnifique - Remastered | Kay Starr | F♯ Minor | 4 | 11A | 155 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| Wives And Lovers | Jack Jones | F Minor | 5 | 4A | 96 BPM |