Helen Forrest's 'Embraceable You' had a release date set for November 25, 2011. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Embraceable You's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 20 in Beyond Patina Jazz Masters: Helen Forrest Vol. 2 by Helen Forrest. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Embraceable You is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Embraceable You by Helen Forrest is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 2 | 3B | 148 BPM | ||
| Man Enough | Lynda Carter, John Jarvis, Kerry Marx | D Minor | 3 | 7A | 106 BPM | ||
| I'm Beginning to See the Light - 1999 Remastered - Take 1 | Duke Ellington | B♭ Minor | 6 | 3A | 95 BPM | ||
| Blues in the Night | Woody Herman & His Orchestra | C Major | 2 | 8B | 89 BPM | ||
| Tip-Toe Through the Tulips With Me | Ambrose, Ambrose Orchestra | A♭ Major | 3 | 4B | 178 BPM | ||
| Prisoner Of Love | Billy Eckstine | D♭ Major | 3 | 3B | 92 BPM | ||
| The Lady's In Love With You | Bob Hope, Shirley Ross | A♭ Major | 2 | 4B | 83 BPM | ||
| Where Have You Been All My Life? | Hal David, John Cacavas | A♭ Major | 3 | 4B | 198 BPM | ||
| Five O Clock Whistle - New Mono to Stereo Mix | Ella Fitzgerald | F♯ Major | 2 | 2B | 92 BPM | ||
| I've Got A Feeling I'm Falling | Gene Austin | E♭ Major | 1 | 5B | 131 BPM | ||
| How High The Moon | Helen Forrest | E♭ Minor | 2 | 2A | 138 BPM | ||
| Goodnight Wherever You Are | Sonny Dunham & His Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Pacific 1860: This Is a Changing World | Noel Coward | E♭ Major | 1 | 5B | 83 BPM | ||
| Ramona | Gene Austin | D Major | 0 | 10B | 95 BPM | ||
| Anywhere I Wander | Julius LaRosa | C Major | 0 | 8B | 76 BPM | ||
| Until the Real Thing Comes Along | Fats Waller | E♭ Major | 3 | 5B | 99 BPM | ||
| If I Had You | Jeri Southern | F Minor | 2 | 4A | 124 BPM | ||
| I Can Dream, Can't I? - 1949 Single Version | The Andrews Sisters, Gordon Jenkins & His Orchestra | C Major | 2 | 8B | 87 BPM | ||
| Too Marvelous For Words | Helen Forrest | E♭ Major | 1 | 5B | 82 BPM | ||
| Jingle, Jangle, Jingle | Kay Kyser & His Orchestra, Harry Babbitt | G Minor | 2 | 6A | 94 BPM | ||
| String of Pearls | Members Of The Glenn Miller Orchestra | C Major | 1 | 8B | 140 BPM | ||
| Black And Blue | Frankie Laine | A Minor | 3 | 8A | 96 BPM | ||
| Mad About the Boy | Helen Forrest | G Minor | 4 | 6A | 83 BPM |