Ana Vidović's 'Tri Hrvatska Plesa' had a release date set for May 13, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ana Vidović's "Gitara" album is number 2 out of 5. On top of that, Croatia appears to be the country where this track was created. In terms of popularity, Tri Hrvatska Plesa is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tri Hrvatska Plesa by Ana Vidović to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Mazurkas : No. 3. Marieta | Norbert Kraft | A Major | 0 | 11B | 124 BPM | ||
| Suite del recuerdo: II. Zamba | Jose Luis Merlin, Sebastian Caldas | E Minor | 1 | 9A | 73 BPM | ||
| Guitar Sonatina: II. Andante espressivo | Jorge Morel, Celil Refik Kaya | B Minor | 0 | 10A | 90 BPM | ||
| 25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
| Towards The Closing Gates | Santiago Kodela | C Major | 2 | 8B | 77 BPM | ||
| Savage Beauty | Harish Powar | D Major | 2 | 10B | 103 BPM | ||
| Bardenklänge, Op. 13: Unruhe | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 102 BPM | ||
| Carcassi Op.26 N.4 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 3 | 8A | 140 BPM | ||
| Sonata, Op. 61: I. Allegro | Joaquín Turina, Shiri Coneh | D Minor | 2 | 7A | 137 BPM | ||
| Suite del recuerdo: Evocacion | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 114 BPM | ||
| Italian Coffee: No. 3, L'ultimo caffè insieme | Simone Iannarelli, Xuanxuan Sun | B Minor | 1 | 10A | 135 BPM | ||
| Vieja leyenda | Federico Moreno Torroba, Ana Vidović | E Minor | 0 | 9A | 120 BPM | ||
| Homenaje a Toulouse-Lautrec | Eduardo Sainz De La Maza, Sven Lundestad | B Minor | 1 | 10A | 82 BPM | ||
| 3 Rondo Brillants, Op. 2: No. 2, Andante - Rondo moderato | Dionisio Aguado, Emanuele Buono | A Minor | 1 | 8A | 90 BPM | ||
| 讃歌「ドビュッシーの墓のために」 | Manuel de Falla, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Se Ela Perguntar | David Tutmark | E Minor | 1 | 9A | 56 BPM | ||
| Seriões (Modinha) Andante - From "Cenas Brasileiras" | Isias Savio, Kaare Norge | A Minor | 1 | 8A | 96 BPM | ||
| Druga Sonata Za Violinu Solo U A-Molu | Ana Vidović | A Minor | 4 | 8A | 91 BPM | ||
| Forgotten: Impromptu | Catharina Josepha Pratten, Alexandra Whittingham | D Minor | 5 | 7A | 152 BPM | ||
| El Niño - 2025 Remastered Version | Antonio Lauro, Pedro Del Toro | A Major | 1 | 11B | 127 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Mats Bergström | D Major | 6 | 10B | 130 BPM | ||
| 12の練習曲 / 第1番 ホ短調 | Heitor Villa-Lobos, Kazuhito Yamashita | A Minor | 4 | 8A | 132 BPM | ||
| The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
| Se Ela Pergunta | Dilermando Reis, Xuefei Yang | E Minor | 0 | 9A | 138 BPM | ||
| Asturias | Heike Matthiesen | G Major | 1 | 9B | 104 BPM |