Sunny Sweeney's ' "Half Lit in 3/4 Time" was released on its scheduled release date, August 1, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Rhinestone Requiem". In this album, this song's track order is #10. In terms of popularity, Half Lit in 3/4 Time is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Half Lit in 3/4 Time by Sunny Sweeney having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couldn't Do Nothing Right | Gary P. Nunn, Sunny Sweeney | G Major | 7 | 9B | 122 BPM | ||
| To Be Alone With You | Sunny Sweeney | A Major | 7 | 11B | 119 BPM | ||
| One White Line At A Time | Trey Hensley, Steve Wariner | D Major | 6 | 10B | 87 BPM | ||
| When Your Tomorrow’s In The Past | Jesse Daniel | D♭ Major | 5 | 3B | 82 BPM | ||
| Stuck in Texas | Joshua Hedley, Ray Benson | C Major | 7 | 8B | 115 BPM | ||
| In Between | Matt Daniel | C Major | 6 | 8B | 160 BPM | ||
| I Don't Care | Kelly Willis | A Major | 4 | 11B | 134 BPM | ||
| Back In The Saddle Again | Sam Stoane | C Major | 5 | 8B | 200 BPM | ||
| Until My Dying Breath | Kayla Ray | A Major | 4 | 11B | 110 BPM | ||
| The After Midnight Special | Kristina Murray | B Minor | 6 | 10A | 132 BPM | ||
| The Past Ten Years | Weldon Henson | B Major | 6 | 1B | 85 BPM | ||
| Chisholm Trail Nightingales | Gloria Anderson | E Major | 3 | 12B | 160 BPM | ||
| You’re Finally Hurtin’ - Acoustic | Brennen Leigh | E Major | 3 | 12B | 160 BPM | ||
| Old Trucks | Emily Zeck | E Major | 5 | 12B | 178 BPM | ||
| Simple (You Wouldn’t Call It Simple) | Rodney Crowell | D♭ Major | 1 | 3B | 85 BPM | ||
| Meant to Be | Julia Golden | E Major | 3 | 12B | 160 BPM | ||
| A Reason To Drink | Brennen Leigh | A Minor | 4 | 8A | 63 BPM | ||
| Hate the Way You Love Me | Annie Bosko | E♭ Major | 4 | 5B | 106 BPM | ||
| The Details | Amanda Shires | F♯ Major | 6 | 2B | 83 BPM | ||
| Hanging On To You | Wonder Women of Country | F Major | 3 | 7B | 133 BPM | ||
| If I Could | Sunny Sweeney | B Minor | 9 | 10A | 136 BPM | ||
| Broken Parts | Dylan Earl | G Major | 6 | 9B | 134 BPM | ||
| Tell Me | Kristina Murray | A♭ Major | 3 | 4B | 210 BPM | ||
| Please Come to Boston | Ruby Leigh | B Major | 4 | 1B | 138 BPM | ||
| The Extension Cord | Auris Serranot | E Major | 3 | 12B | 160 BPM |