Caedmon's ' "The Blessed" was released on its scheduled release date, February 14, 2024. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Caedmon's "Got Me Knowing God, Pt. 2" album is number 2 out of 5. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of The Blessed is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Blessed by Caedmon to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agwillare | Johannes Bedyngham, Ensemble belladonna, Susanne Ansorg, Miriam Andersén, Rebecca Bain | F Major | 0 | 7B | 112 BPM | ||
| Tarleton's Resurrection, P. 59 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
| A Long Drive | Caedmon | E♭ Minor | 7 | 2A | 130 BPM | ||
| Helas pitié envers moy dort si fort | Trebor, Ferrara Ensemble, Crawford Young | E♭ Major | 2 | 5B | 130 BPM | ||
| Mille regretz, de vous abandonner | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 68 BPM | ||
| Pavan in D Major | Daniel Bacheler, Jakob Lindberg | C Major | 0 | 8B | 78 BPM | ||
| The Underworld of Hades | Michael Levy | A♭ Minor | 1 | 1A | 78 BPM | ||
| Levita Laurentius | Ivo de Vento, Harmonia Recorder Ensemble | F Major | 0 | 7B | 71 BPM | ||
| In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
| The Sensual Desires of Erato | Michael Levy | B Major | 0 | 1B | 79 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Fantasia que contrahaze la harpa en la manera de Luduvico | Alonso Mudarra, Harvey Brough, Jacob Heringman, Geraldine McGreevy, Musica Antiqua of London, Philip Thorby | F Major | 0 | 7B | 156 BPM | ||
| Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Quan lo rius de la fontana | Jaufre Rudel, Ensemble Gilles Binchois | B Minor | 1 | 10A | 121 BPM | ||
| Ave corpus sanctum | Marchetto Padova, La Reverdie | A Minor | 0 | 8A | 77 BPM | ||
| Seis diferencias del igno de Nuestra Señora O gloriosa domina, Book IV | Luis de Narváez, Xavier Diaz-Latorre | B♭ Minor | 1 | 3A | 101 BPM | ||
| Bridegroom Exaposteilarion, 3rd Mode (Live) | Dynamis Byzantine Ensemble | D Major | 2 | 10B | 111 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM | ||
| Planctus David super Saul et Ionatha | Peter Abelard, Augsburg Early Music Ensemble | G Major | 1 | 9B | 70 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | F Major | 1 | 7B | 86 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM |