"Left Behind" by Ariel Contreras-Esquivel, Videri String Quartet had its release date on September 27, 2019. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Left Behind's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Last of Us Remixed". In this album, this song's track order is #6. Based on our statistics, Left Behind's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Left Behind by Ariel Contreras-Esquivel, Videri String Quartet having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cursed Spirits | Bill Hemstapat | D♭ Major | 2 | 3B | 75 BPM | ||
| Abyss | Ariel Contreras-Esquivel | C Major | 6 | 8B | 120 BPM | ||
| Scud Missile Threat | Jack Wall, Jim Lordeman | A Major | 8 | 11B | 115 BPM | ||
| The Shadow Under the Mountain | Wilbert Roget, II | E Major | 2 | 12B | 83 BPM | ||
| Rebuild Paradise | Pedro Bromfman | B♭ Major | 3 | 6B | 120 BPM | ||
| Tute is Coming | Ariel Contreras-Esquivel, Raffi Avakian | C Major | 6 | 8B | 125 BPM | ||
| The Calm | Valve Studio Orchestra | G Minor | 5 | 6A | 100 BPM | ||
| A Noisy Skull | 34BigThings, Federico Ascari, Ariel Contreras-Esquivel | A Major | 10 | 11B | 165 BPM | ||
| Gran Colombia (The Industrial Era) | Geoff Knorr | C Major | 1 | 8B | 109 BPM | ||
| Tanks Go to Battle | Цифей | B♭ Minor | 7 | 3A | 100 BPM | ||
| Hivory Towers (Orchestral Version) | Grant Kirkhope, The City of Prague Philharmonic Orchestra | D Major | 2 | 10B | 150 BPM | ||
| Homeland | Audinity | F Major | 5 | 7B | 140 BPM | ||
| A Samurai's Virtue | Luc St-Pierre | D♭ Major | 5 | 3B | 120 BPM | ||
| Lollipop | Otto Sieben | F♯ Major | 5 | 2B | 131 BPM | ||
| Sin Ataduras | La Real | G Minor | 0 | 6A | 88 BPM | ||
| Gran Colombia (The Atomic Era) | Geoff Knorr, Phill Boucher | F Minor | 3 | 4A | 112 BPM | ||
| Shake Somethin' | Drew Milligan | F Minor | 6 | 4A | 105 BPM | ||
| Babushka Song | Sight of Wonders | D Major | 8 | 10B | 148 BPM | ||
| Montgomery's March | Paradox Interactive | C Major | 4 | 8B | 100 BPM | ||
| Strongholds of the Sea - Original Game Soundtrack | Sea of Thieves | F Minor | 3 | 4A | 71 BPM | ||
| Scaramouche Fight | Samurai Jack | F Minor | 9 | 4A | 120 BPM | ||
| Force of Nature | Ndemic Creations | G Major | 3 | 9B | 94 BPM | ||
| Desert Battle I | Hyperduck Soundworks | D Major | 6 | 10B | 82 BPM | ||
| Dead Rails: Prescott's Fort (Orignial Game Soundtrack) | Marrow | E Minor | 9 | 9A | 146 BPM | ||
| Dance with Fire | Ariel Contreras-Esquivel | A Minor | 6 | 8A | 98 BPM |