Jitendra Abhisheki's 'Tarana' had a release date set for July 9, 2015. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Shankar-Ehsaan-Loy, Jitendra Abhisheki's "Katyar Kaljat Ghusli (Original Motion Picture Soundtrack)" album is number 14 out of 17. On top of that, India appears to be the country where this track was created. In terms of popularity, Tarana is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Tarana by Jitendra Abhisheki to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nabh Meghani Aakramile 1970 | Prabhakar Karekar | E Major | 5 | 12B | 133 BPM | ||
| Sant Bhar Pandharit - 2012 | Mahesh Kale | D Minor | 7 | 7A | 103 BPM | ||
| Ravi Mee Ha Chandra Kasa | Bharat Balvalli | F♯ Major | 7 | 2B | 98 BPM | ||
| Anand ghana | Aanandi Joshi, Hrishikesh Ranade | A♭ Major | 8 | 4B | 150 BPM | ||
| Ghanshyam Sundara Shridhara | Lata Mangeshkar, Panditrao Nagarkar | E♭ Major | 1 | 5B | 86 BPM | ||
| Saazni | Shekhar Ravjiani | E Major | 4 | 12B | 85 BPM | ||
| Radhadhar Madhumilind | Anand Bhate, Rahul Deshpande | B Major | 7 | 1B | 126 BPM | ||
| Tu Ahes Na | Rohit Raut, Rahul Deshpande, Avadhoot Gupte, Jasraj Joshi, Adarsh Shinde | E Major | 4 | 12B | 72 BPM | ||
| Aata Tari Deva Mala Pavshil Ka | Prahlad Shinde | A Major | 8 | 11B | 97 BPM | ||
| Baglyanchi Maalphule - 1970 | Vasantrao Deshpande | A Minor | 3 | 8A | 144 BPM | ||
| Rimjhim Dhun | Milind Ingle | E♭ Major | 7 | 5B | 73 BPM | ||
| Hi Gulabi Hawa | Vaishali Samant, Swapnil Bandodkar, Guru Thakur | A Major | 8 | 11B | 110 BPM | ||
| Man Shevantiche Phool | Deepti Mate | A Major | 4 | 11B | 120 BPM | ||
| Kaivalyachya Chandnyala | Jitendra Abhisheki | B♭ Major | 4 | 6B | 70 BPM | ||
| Dhund Hote Shabd Saare (From "Uttarayan") | Ravindra Bijur | E♭ Major | 3 | 5B | 123 BPM | ||
| Shala Marathi - From "Krantijyoti Vidyalay - Marathi Madhyam" | Harsh-Vijay, Ishwar Andhare, Rohit Jadhav | G Major | 5 | 9B | 125 BPM | ||
| Dehachi Tijori, Pt. 1 | Sudhir Phadke | D Major | 2 | 10B | 132 BPM | ||
| Majhya Gabhari Majhi Pandhari | Aarti Anklikar Tikekar | G Major | 4 | 9B | 80 BPM | ||
| Vithalayachaya Payi Veet Zali Bhagyavant | Prahlad Shinde | A♭ Minor | 5 | 1A | 136 BPM | ||
| He Ishwara Sarvana | Devaki Pandit | D Major | 5 | 10B | 120 BPM | ||
| O Mind Go To Kasi | Harihar Rao, Jitendra Abhisheki | E Major | 2 | 12B | 121 BPM | ||
| Rakumai | Amitraj, Mrunmayee Shirish Dadke, Pragati Mukund Joshi, Rasika Ganu, Kasturie Saairam, Pallavi Telgoankar | C Major | 10 | 8B | 100 BPM | ||
| Keshava Madhava Tuzya Naamaat Re Godava | Suman Kalyanpur | F♯ Minor | 2 | 11A | 102 BPM | ||
| Tuch Sukh Karta Tuch Dukh Harta | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Vishwacha Vishram Re | Jitendra Abhisheki | E Major | 5 | 12B | 84 BPM |