Jacques Stotzem's ' "Twenty-One" was released on its scheduled release date, November 7, 2011. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacques Stotzem's "Lonely Road" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Twenty-One is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Twenty-One by Jacques Stotzem to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Name of the Wind | Ken Bonfield | D♭ Minor | 4 | 12A | 97 BPM | ||
| Fields of Gold | Jacques Stotzem | D Major | 3 | 10B | 107 BPM | ||
| Lyin´ Eyes | Martin Tallstrom | D Major | 5 | 10B | 170 BPM | ||
| The Shire | Glenn Roth | A♭ Major | 2 | 4B | 109 BPM | ||
| Road to Nowhere | Manuel Galán | C Minor | 4 | 5A | 112 BPM | ||
| Anchor | Trace Bundy | B Major | 3 | 1B | 110 BPM | ||
| After the Gold Rush | Jacques Stotzem | G Major | 3 | 9B | 175 BPM | ||
| Something | Laurence Juber | C Major | 1 | 8B | 77 BPM | ||
| Beaumont Rag | Brooks Williams | C Major | 4 | 8B | 117 BPM | ||
| Try and Try Again | Peter Ciluzzi | G Minor | 5 | 6A | 139 BPM | ||
| Azwan | Pierre Bensusan | A Major | 2 | 11B | 140 BPM | ||
| Leitrim Queen | Steve Baughman | E♭ Major | 2 | 5B | 84 BPM | ||
| We Bloomed in Autumn | Nylonwings | D Major | 3 | 10B | 116 BPM | ||
| Sur Vesdre | Michel Haumont, Jacques Stotzem | G Major | 1 | 9B | 179 BPM | ||
| Come As You Are | Jacques Stotzem | A Major | 5 | 11B | 121 BPM | ||
| Racoon | Lukas Proyer | D Major | 2 | 10B | 78 BPM | ||
| Wee Dander | Pierre Bensusan | D Major | 2 | 10B | 82 BPM | ||
| Serenata Genovese | Paolo Sereno | D Major | 2 | 10B | 105 BPM | ||
| Smoke Signals | Dylan Ryche | A Major | 3 | 11B | 154 BPM | ||
| Dandelions - Instrumental | Muriel Anderson | G Major | 0 | 9B | 81 BPM | ||
| Endgame | Emilio Bonito | F Major | 3 | 7B | 100 BPM | ||
| You’re Not Alone | Emilio Bonito | D Major | 3 | 10B | 115 BPM | ||
| Breakfast in America | Alberto Lombardi | F Minor | 6 | 4A | 135 BPM | ||
| Fanny Power | Steve Baughman | C Major | 3 | 8B | 181 BPM | ||
| Carolina Blue Guitar | Tim Sparks | G Major | 3 | 9B | 134 BPM |