"Hand on the Machine" by Henry Jackman, Matthew Margeson had its release date on February 10, 2015. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Hand on the Machine's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henry Jackman, Matthew Margeson's "Kingsman - The Secret Service (Original Motion Picture Soundtrack)" album is number 14 out of 15. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Hand on the Machine's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hand on the Machine by Henry Jackman, Matthew Margeson to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Lamentis-1, 2077 | Natalie Holt | D♭ Major | 6 | 3B | 133 BPM | ||
| Reset Charges | Natalie Holt | F Minor | 6 | 4A | 76 BPM | ||
| Bayek of Siwa | Sarah Schachner, Assassin's Creed | F Major | 8 | 7B | 95 BPM | ||
| The Game Has Changed - From "TRON: Legacy"/Score | Daft Punk | D♭ Minor | 5 | 12A | 100 BPM | ||
| Primeval Theme | Dominik Scherrer | D Minor | 5 | 7A | 125 BPM | ||
| Two-Horned Unicorn | Kris Bowers | D♭ Major | 3 | 3B | 121 BPM | ||
| Oblivion (Theme from "Walter") | Zeki Cavkaytar | D♭ Major | 3 | 3B | 121 BPM | ||
| Journey Theme | Andrew Lockington | G Minor | 3 | 6A | 106 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| Spectacle Discovery | Trevor Rabin | B♭ Minor | 3 | 3A | 98 BPM | ||
| Ascension | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| New Devon | Henry Jackman | B♭ Minor | 6 | 3A | 66 BPM | ||
| Qingming Jie | Joel P West | D Minor | 1 | 7A | 74 BPM | ||
| Higher. Further. Faster. Together. | Laura Karpman | F Major | 5 | 7B | 125 BPM | ||
| The Battle of the Pelennor Fields | Howard Shore | E Minor | 4 | 9A | 121 BPM | ||
| Emma | Steven Price | D Minor | 4 | 7A | 120 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| Finding Charlotte | Trevor Rabin | F Minor | 4 | 4A | 95 BPM | ||
| Assemble | Alan Silvestri | F Major | 5 | 7B | 155 BPM | ||
| Prime | Steve Jablonsky, Lisbeth Scott | A♭ Major | 5 | 4B | 80 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Blood Ritual | Klaus Badelt | D Major | 4 | 10B | 181 BPM | ||
| Infinity War | Alan Silvestri | A Minor | 3 | 8A | 86 BPM |