Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier's ' "Violin Concerto: II. Toccata - Chaconne" was released on its scheduled release date, May 16, 2006. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rorem: Violin Concerto - Flute Concerto - Pilgrims". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto: II. Toccata - Chaconne is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Violin Concerto: II. Toccata - Chaconne by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
| Gilgamesh, Tablet 5: Blood | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 1a, Prelude in C Major | Dmitri Shostakovich, Sofia Sacco | C Major | 0 | 8B | 86 BPM | ||
| Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | ||
| 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | ||
| 12 Nocturnes: No. 6, Sigrids Kantate | Bent Sørensen, Katrine Gislinge | D Minor | 0 | 7A | 75 BPM | ||
| Le tempo qui n'est plus | Francis Pott, Duncan Honeybourne | A♭ Major | 0 | 4B | 68 BPM | ||
| 5 Morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | B Major | 0 | 1B | 71 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | D Minor | 0 | 7A | 75 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| The Lordly Hudson | Ned Rorem | F Minor | 2 | 4A | 144 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D Minor | 0 | 7A | 75 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | D Minor | 0 | 7A | 75 BPM | ||
| Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Goldberg Variations, BWV 988: Var. XIX. (Arr. for String Orchestra by Dana Anka) [Excerpt] | Johann Sebastian Bach, The Stradivari Orchestra | G Major | 0 | 9B | 141 BPM | ||
| Mai, Op. 1 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): I. Pezzo in forma di sonatina. Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante | Felix Mendelssohn, English String Orchestra, William Boughton | G Major | 0 | 9B | 83 BPM | ||
| Our Town, Act II: "Well, George, How are You?" | Ned Rorem, David Kravitz, Brendan Buckley, Angela Gooch, Gil Rose | F Major | 3 | 7B | 84 BPM | ||
| 12 Lieder von Franz Schubert, S. 558 (Excerpts): No. 3, Du bist die Ruh | Franz Liszt, Goran Filipec | E♭ Major | 0 | 5B | 125 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": I. Evanescente - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | C Major | 1 | 8B | 119 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | ||
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM |